“Little Women” – Korean Drama Review 31

8.5/10 – what a wild ride!! It’s been so long since I enjoyed a DRAMA where there are so many exciting twists and turns, with every episode ending with a screech-worthy cliffhanger that left me aching for more. Little Women was so entertaining!!


[MILD SPOILERS AHEAD]

From the sparse research I did, the title of the drama has almost nothing to do with the famous classic novel of the same name. I never read it, and I probably never will, lolol. I think the only similarity is that it tells the story of three sisters who live in poverty, and there is a theme of rising above class and status? Maybe? Someone fact check me. Anyways, the drama follows the story of three sisters – Oh In-joo, Oh In-kyung, and Oh In-hye, three sisters with vastly different personalities and goals, struggling to live as a lower middle-class family. The eldest, Oh In-Joo is, perhaps on paper, the least accomplished, with the least potential. She is not particularly clever, hard-working, or extraordinary, but she has a very innocent and good-natured spirit. Despite growing up poor and underprivileged, she never loses her hopes and dreams, as unrealistic as they are. And it’s possibly even because she’s not that bright and doesn’t assess the plausibility of success LOL, but her tenacity and resilience throughout the drama is very endearing. She also almost acts as the mother to her two siblings, because honestly their real mom is a piece of shit (straight up, the mom just steals the sisters’ money and gtfo’s to the Philippians to “find their father”, wtf?!).

Oh In-kyung was definitely the WORKHORSE of this drama. She is portrayed as being a very hard-working, high functioning alcoholic that is a dedicated news reporter. Throughout the drama, she drives the conspiracy plot a lot by sleuthing out a lot of the craziness going on, and never giving in or backing down. I really admired how she stayed true to her morals and didn’t allow fear or career prospects to motivate her actions. This drama very much so, had the vibes of “three against the world”, with all three sisters fighting their own battles, in a greater war that eventually all comes together.

The third and youngest sister, Oh In-hye, is a bit of a dark horse in the show for me, because I’ll be honest, for about 80% of the run time, I really couldn’t stand her. Yes, I know she’s only a high school student, and it’s basically her job to be ungrateful for her sisters’ love, but that really doesn’t excuse her being so aloof and so desperate to escape her family situation that she low-key disowns her siblings numerous times…eventually there is some redemption for her character as she grows to understand her sisters’ perspectives and sacrifices. And she did provide an important POV from a story-telling standpoint, because she by far had the closest encounters with the main antagonists of the drama and revealed their true natures (because she straight up joined their side for a large portion!! >_<) But man oh man, she was such a little twit sometimes, and definitely could have benefited from a slap every now and then, lol.

Shit hits the wall really fast in the show, as all three sisters get entangled in a huge intergenerational embezzlement and corruption scheme with a powerful war general’s family, that all starts with the mysterious “suicide” of Oh In-joo’s close friend, Hwa-young. As Oh In-joo begins trying to unravel the suspicious death, Oh In-kyung starts digging into a network of corruption and a secret society, and Oh In-hye finds herself being sucked into the world of the elite and being tempted to stay there.

The patriarch of the powerful family, Park Jae-sang, is the son of the general’s personal assistant, and Won Sang-ah is the wife and daughter of the general himself, and technically the heiress to the whole legacy. And there’s their poor hapless daughter Park Hyo-rin, whom I felt sorry for the whole time and definitely needs years of therapy to recover from growing up in with such toxic and messed up parents. Let’s just say, there’s a lot of murders and “suicides”, if you know what I mean, as well as a very mysterious orchid club that seems to be the key to it all. Where do I even begin? Park Jae-sang was definitely cold, ruthless, and calculating. But ultimately, he was still subservient to his wife, who was, honest to God, just batshit crazy. The way she was utterly unhinged and a loose cannon the whole time was terrifying, but also perfectly executed, because there was always a traceable cause and effect, even in her complete insanity. I am intentionally keeping things fairly vague, because first of all this drama really needs to be enjoyed without prior knowledge of any of the intense twists and turns, and secondly, there were just so many layers, that if I start to get into it, I will literally have to mention everything and this review will turn into a long rambling recap of the entire show. Overall, the villains in this show were superbly written, which is uncommon in many Korean dramas. They were multi-faceted, unpredictable, but operated in a context that was relatable and honestly made the audience sympathetic in some ways. After all, human nature is always capable of evil, if brought up in the “right” set of circumstances and suffering.

As much as this show was definitely a “girl power” drama, with all the main characters, good and bad, being female, there were many very strong male characters as well. Namely… CHOI DO-IL, A MAN WITH MANY RED FLAGS BUT STILL ENOUGH INTEGRITY AND GOOD LOOKS FOR US TO BELIEVE AND TRUST HIM UNCONDITIONALLY. I really liked how despite the progression of potential relationship between him and Oh In-joo, his character remained consistent with his ideals. He often acted unscrupulously, was definitely conniving and money-driven, but he was never evil or selfish. Ultimately everything he does to the very end of the show benefited himself, but he also made sure to keep those he cared about out of harm’s way. Let’s just say he was reliable, haha. He was always reliably thinking ten steps ahead for his own gain, but also always reliably there to save the day whenever Oh In-joo found herself in over her head.

One thing about this drama that really made it addicting and fun was how well the plot-twists and cliffhangers were executed. Each episode ended in a way that made me screeching for more, haha. Again, I don’t really want to get into too many details, but let’s just say, there were A LOT of instances were things were discovered, bodies were discovered, secrets were discovered, etc, that just continued to beautifully serve the plot and challenge the main characters. I would definitely recommend this drama for anyone looking for an exciting thriller that has you looking for clues, speculating wildly after each episode, and keeps your butt cheeks clenched with stress, haha. Thanks for reading, and happy watching!

Squid Game – Korean Drama Review 29

9/10: Yes, I boarded the hype train. And YES, I finally boarded it on time, when internet memes and discussion abound! I don’t think I’ve been this early to anything since “Goblin: The Great and Lonely God”, lmao. This 9 episode series was about 8.5 hours of gore-y social commentary that truly psychologically tormented me lol. In the best way possible. I can say with reasonable confidence that Squid Game lives up to the hype!!


[HEAVY SPOILERS]

Disclaimer: I really don’t know how to talk about my thoughts about this drama without also going through some of the major plot points, so I know this is going to be super long and probably disorganized. My apologies!!

Squid Game follows the story of Seong Gi-hun, a man who has fallen on hard times and has become almost your quintessential “dead beat” – divorced, bad father that can’t do right by his daughter, financially ruined, in a ton of debt to creditors and loan sharks, and hedging his bets on horse races with whatever cash he has left. One day, he is approached by a mysterious man who asks him if he will play a game for money. I LOVED Gong Yoo’s cameo. His lovable and familiar face was now symbolic of the sinister turn that this show would take. Unable to refuse gambling some slaps in the face for a chance to win money, the pair play ddakji, a very popular children’s game, and after getting slapped around and then finally winning one round, Gi-hun is invited to participate in a 6-game competition for the chance to win a LOT more money. Of course, the audience can anticipate that the stakes will be much higher than simply getting slapped in the face. He accepts the invitation, and is basically “squid-napped” in the dead of night, waking up to find himself in a freaky death camp-looking place. All the players are wearing green numbered tracksuits, from 001 to Gi-hun, who is number 456. Essentially, their names and identities have been stripped, which is a huge red flag. He’s in a room full of people who like him, have nothing to lose, and are desperate to win. It is quite clear that no one knows what the fudge is going on, but they all follow the instructions given by guards who are wearing red body suits and fencing masks with a circle, triangle, or square, harkening back to “the squid game”, a childhood game that was introduced at the beginning of the show. And above them all, there is another mysterious masked man who wears all black, and is referred to as the “front man”. All the players sign a contract that has only three clauses: 1. no player is allowed to stop playing; 2. any player who refuses to play will be eliminated; and 3. the games can be terminated if the majority agrees to end it.

It is very quickly established by the first game, “red light, green light”, that when the rules say players “will be eliminated”, it means YOU GET SHOT. Every game is a dark twisted iteration of a popular kids’ game, making the whole thing even more disturbing. The “light-hearted” games are juxtaposed with all the death and terror experienced by the players. After the first game, more than half of the participants were killed, and the remaining players took a vote to end the games. Before the voting begins, the prize money amount is revealed, being a staggering 45.6 billion won total (around 39 million USD), with each player being worth 100 million won (around 84,000 USD)…these people are convinced that they are literally worth more dead than alive. The thought of winning such an amount actually convinces many players to want to keep playing. The final deciding vote is cast by player 001, an extremely old man who told Gi-hun that he was dying of a brain tumour. Gi-hun chooses to end the game, making that the majority rule, and everyone is thrust back into their old lives. Interestingly, this second episode was called “hell”. As brutal and horrifying the Squid Games were, the struggle of existence for those in financial need is basically a slower, more arduous hell on earth. One of the characters aptly stated that in the real world, he doesn’t stand a chance, but within the games, maybe he could even win. By the end of episode 2, everyone voluntarily chooses to return to the Squid Games, now knowing the stakes. They decide to hedge their bets, to win big, or die trying. This really highlights what I believe is the biggest tragedy of the show. Pride tells these people that they could win, and shame tells them that this is all they are worth. That the best they can do is to go down into a pit to fight and claw at each other and willingly give up their humanity to survive.

By this time, the audience gets to know a few of the other characters that Gi-hun starts to befriend. There is a North Korean defector named Kang Sae-byeok (no. 067), who is a clever but cold young woman who needs the prize money to regain custody of her younger brother and sponsor her mother out of North Korea. She is strong, resourceful, and definitely one of my favourite characters. Then there is Cho Sang-woo (no. 218), who was actually on of Gi-hun’s best childhood friends. He was successful early in life, graduating from Seoul National University with a business degree, but ended up committing a lot of financial crimes and losing everything. In the beginning he seemed to be a trustworthy and smart ally, but slowly we see how calculating and unscrupulous he can be. He isn’t entirely evil, but desperation and selfishness bring out the worst in him, and he is willing to do whatever it takes to win. It makes sense, because even before the Squid Games, he took advantage of people for personal gain through fraud and embezzlement. Then there is Ali Abdul (no.199), a very gentle and kind man from Pakistan who was cheated of his wages by a corrupt employer. Ali was such a cinnamon roll!! He was so innocent and trusting and selfless, and saved other players and teammates multiple times throughout the games. Finally there is Oh Il-nam (no. 001), the old man Gi-hun becomes familiar with early on. He seems to be slowly degenerating mentally, but his wisdom and experience, and seemingly lack of fear of death, are his greatest assets.

A very intriguing side-plot that is explored throughout the series follows a police detective named Hwang Jun-ho, who begins to suspect that his older brother may have been kidnapped into the squid games as well, after hearing Gi-hun’s frantic account trying to file a police report after being released. Jun-ho tails Gi-hun when he is taken by the masked red men again, and he manages to infiltrate into the facility by killing one of the workers and putting on the suit and mask. Jun-ho discovers that his brother had indeed been drafted into the squid games, and that he had actually won in 2015! But where was he now? It is also made known that turns out anonymous “VIPs” were the ones behind it all. These atrociously wealthy individuals were watching the squid games and betting on players!!! It is 100% a more elaborate and sadly, more realistic version of the hunger games. But in this case, the players are completely unaware that they are being treated like animals. Just as Gi-hun bet on race horses for fun and entertainment, these high class folks abused the poor and disadvantaged for their own amusement. Before Jun-ho could blow the lid off everything and have it shut down, however, he is discovered, and chased down by the front man, a differently masked person who seemed to be the head manager of the games. And it is there we find out…the front man is Jun-ho’s older brother!!! WTF. So many questions. Jun-ho unfortunately is shot by his brother, and falls off a cliff into the ocean below. The audience is left wondering whether he is dead or alive. He “died” off-screen, and the law of Korean dramas dictates that until a body is seen, ANYONE COULD STILL BE ALIVE. So I’m holding out hope that if there is a season 2, that he will return…he was honestly such a boss character. Busting into this effing crazy situation with no prior knowledge, and getting as far as he did. Amazing, I stan.

The second game is also another one any Korean would find familiar. It involves cutting a shape out of a flat piece of dalgona honeycomb – either a triangle, star, circle, or umbrella. No one knows what shape they’ll get (except one man, who turns out to be a doctor that is forced into a black market organ selling sub-plot LOL), so whoever gets stuck with the hardest shape, the umbrella, most likely will fail the game and be immediately executed. Sang-woo’s greed and instinct for self-preservation starts to harden his heart. Prior to the game, he had a hunch as to what the task would be based on Sae-byeok telling him she smelled the workers melting sugar. He also observed that the doctor character seemed to have insider information, since he rushes to the triangle right away, so he follows him and chooses the triangle shape as well. Sang-woo does not to share his knowledge with any other player, not even his friend. In fact, he goes so far as to tell everyone to split up, because then there’s less likelihood they will be facing the same problem, and therefore won’t be able to help each other. He essentially wants to get others eliminated to increase his own odds of winning. The guy is cold-blooded as hell I tell you. And just Gi-hun’s luck, he unfortunately chooses the umbrella, but manages to win the game with just seconds remaining, by licking the back of the dalgona to dissolve the sugar and make cutting out the shape easier. All the games involve a sickening amount of psychological manipulation, and the stress and anxiety of the time-sensitive situation made most of the players fixate on using a needle to cut out the shapes, because it was provided to them. However, there was no rule stated that they could ONLY use the needle. So Gi-hun using his saliva was actually a very clever tactic.

Not surprisingly at this point, a lot of characters have become the worst versions of themselves in the games. It was truly sad and horrifying to see some people so willing and almost delighted to kill and stomp on others in their desperation to escape death and win. After the second game, lunch is served, but the players are purposefully fed less food to create dissention and increase desperation. Some thugs realize that the more people they could get rid of, the higher their chances would be of winning during each game. This encourages a fight to break out during bedtime, which was actually what the game coordinators wanted all along, in order to weed out the weaker players. With no rules or control, the players fall into complete chaos, people killing each other left and right behind a strobe-lit background. Ultimately, the Squid Games did not create monsters, it only revealed what every human can choose to be capable of, if the conditions are right. When a person loses control, self-respect, and feels utterly cornered, he or she may embrace their darkest animalistic instincts to survive.

The third game was tug-o-war. The remaining 80 players are told to form teams of ten, and play deadly tug-of-war on very high platforms, with the losing team falling over the edge and plunging to their deaths. One of the main forms of torture of this show was that the players are not given any information about the games until they get into the playing room. They are told to pick teams, but based on what? They don’t know! Gi-hun and Sang-woo end up on a team with mostly outcasts; the old man player 001, as well as several women including Sae-byeok and another young girl named Ji-yeong. This puts them at a strong disadvantage for tug-o-war, but thankfully 001 seemed to have a lot of experience and knowledge of many of theses childhood games, and his strategies, along with the help of a cheap shot move by Sang-woo (he told the team to take three steps forward so that the other team loses their balance and falls), enables their team to win. Is anyone surprised that Sang-woo once again uses some under-handed means to win? But not gonna lie though, those strategies were all s-tier, and I will definitely use them too if I ever get caught up in a tug-o-war game to the death.

The fourth game was marbles. The remaining players were told to pick a partner to play with. However, unbeknownst to them, the partners will actually be competing against one another. They are instructed to play any marble game they want to gain marbles from each other, and whoever ends up with all of the other player’s marbles wins. of course, whoever loses all their marbles, loses their lives as well. This game was definitely the most heart-wrenching for me. The friendships and teams that had been established through the first three games, were now torn apart very cruelly as the players were forced to pick a winner and loser between them. Gi-hun and Il-nam spent a majority of the game time wandering the playground, which was set-up to look like an old hometown neighbourhood. Il-nam appeared to be losing more than just his physical marbles, the man seemed to be hallucinating about the days of his youth, much to Gi-hun’s frustration. Out of desperation, Gi-hun takes advantage of Il-nam’s confused state and cheats at the game to win all the marbles except one. Il-nam reveals that he was actually aware of Gi-hun’s cheating. Gi-hun is ashamed as Il-nam continues to call him “gganbu” (meaning ride or die friend), and gives him his final marble, allowing Gi-hun to win and move on to the next round. Sang-woo and Ali had chosen each other to be partners, but after Ali wins the marbles fair and square, Sang-woo convinces him that there was a way they could both win. Ali trusts him, but Sang-woo ends up stealing all the marbles and claiming victory. In his final moments, Ali realizes that he had been betrayed, and the look of utter defeat and sadness and disappointment was truly heart-breaking. To the very end, Ali was not angry or vindictive. HE WAS SUCH AN MVP I CAN’T EVEN. I definitely cried a bit when he died. Sae-byeok partnered up with another young woman named Ji-yeong, who had gone to prison for killing her abusive father. The two had slowly developed a mutual understanding throughout the games and had grown to trust and rely on each other. Faced with the reality of one of them having to die, Ji-yeong suggests they just talk for a while, and then play one decisive round when time is almost up. They share a very touching conversation about their pasts and future goals. When it’s time to play, Ji-yeong loses on purpose, wanting Sae-byeok to win. Enraged, Sae-byeok tries to convince Ji-yeong to stop messing around a play for real, but Ji-yeong simply states that she realized she didn’t know what she would even do with the money if she won, nothing came to mind at all. Ji-yeong makes Sae-byeok promise to live her life to the fullest, and thanks her for playing with her. Sae-byeok is completely wrecked and broken as she stumbles out of the play area, unable to look back as Ji-yeong gets shot behind her.

The fifth game is a horrifying game of hopscotch, taking place on a high platform that forces the players to jump onto panes of glass. Some are made of normal glass that cannot hold the weight of even one person, and some of made of tempered glass, that can hold the weight of two people. Before they know the game, the players choose the order in which they will play, and then one by one, they try to jump their way from one side of the platform to the other. Obviously the majority of the players fall to their deaths. The psychological torture of choosing a number, as well as the game itself, really made this episode one of the most painful for me. Players would push each other, or refuse to move until others agreed to move in front, etc. It was simply brutal to watch. The most shocking moment though, was when Sang-woo pushes one of the players in front him to get to the final safe pane. It is very apparent that Sang-woo has almost entirely lost his humanity, feeling justified to do whatever he needs to do in order to win. Only Gi-hun, Sang-woo, and Sae-byeok survive this round, but Sae-byeok is critically wounded by a ricocheting glass shard. She makes them promise each other that whoever survives must take care of the other person’s loved ones. This scene was so infuriating and tragic. My girl got sidelined by a piece of glass??? Sae-byeok was such a strong player and character, and it was great to see her development from a cold and closed off person, into someone who learned to trust others. She and Gi-hun truly bonded, and helped keep each other centred. Gi-hun actually considered killing Sang-woo after he realized how unhinged and bloodthirsty he had become, but Sae-byeok stopped him, reminding him that this kind of person was not who he was. When Gi-hun leaves her side for only a few seconds to call for medical help, she ends up being killed by Sang-woo, stabbed in the neck by a steak knife. The final deterioration of Sang-woo’s morality was highlighted by the horrible tragedy of Sae-byeok’s death, and shows the fundamental differences between Gi-hun and Sang-woo.

The sixth and final game was the infamous squid game. I’m still not entirely sure of all the rules, but it seemed like a combination of tag, four corners, and just tussling lol. Gi-hun and Sang-woo literally engage in a fight to the death, with Gi-hun finally coming out victorious. Once Gi-hun crosses the finish line, Sang-woo will be killed and he will get the prize money. However, at the last second, Gi-hun decides that there is way they can both survive: if the two of them both agree to terminate the games, then clause three would come into affect and they could be free. Ultimately, Gi-hun’s desire to maintain his humanity, and to save his friend’s life, was more important to him than the prize money, even though he was literally so close. Sang-woo realizes what a monster he had become, and after apologizing to Gi-hun, he stabs himself in the neck, rejecting Gi-hun’s pleas for them to both let go of this terrible dream. For Sang-woo, he already had his heart set on “go big or go home”, and the thought of living through this with “nothing” to show for it, was worse than death. Indeed, in episode two when they were all returned to their normal lives, Sang-woo actually was in the middle of committing suicide before he was given a second chance at the squid games.

Gi-hun is the winner of the Squid games, but he is literally scarred for life. He is dumped back into the city with a debit card that gives him access to his prize money, about 47 billion won. He returns home to discover that his mother passed away while he was gone, alone and probably sad and desperate for her son. Gi-hun was fighting to the death for money for his family, but he ended up losing the few people who were precious to him. One year later, we fine Gi-hun living exactly like he had before. He hasn’t touched the prize money at all. He is depressed, empty, and a shell of a person. Until he gets a card that looks suspiciously like the Squid game business card he was given in the beginning. On the back of the card is a time, date and address, and is signed, “your gganbu”. And then we are presented with the biggest plot twist of the series…THE OLD MAN, PLAYER 001, WAS THE MASTERMIND BEHIND THE SQUID GAMES ALL ALONG. Gi-hun, like the audience, is at a complete loss for words. No cap I was literally shrieking. In hindsight and upon re-watching, we can see that there were multiple clues that pointed to Il-nam being the head of this circus. One subtle clue was that during the “red light, green light” game, he was the only player who wasn’t scanned for movement, because he was never at risk of being shot. He also moved forward very confidently, with no fear at all. During the dalgona sugar candy cut-out game, he chose the star shape, which has short straight lines and is arguably easier to cut out than some of the other shapes. During the tug-of-war game, his strategies and wisdom was what enabled his team to beat the odds and win against tougher and stronger individuals. And finally, he was supposedly killed during the marble game against Gi-hun, but the audience never sees him get shot, nor do we see his body afterwards. Also, although it appeared that he was losing his mind and awareness during that game, which allowed Gi-hun to trick him into losing marbles, he voluntarily gave his last marble to Gi-hun, saying “you win”, showing that he was in control, and also foreshadowing that Gi-hun would actually go on to win the entire game. It also makes sense that Il-nam would dip out before the glass pane hopscotch game, because that game is a lot less predictable, with people pushing each other, or getting frantic and potentially endangering him. Throughout the games, it was clear that Il-nam was super familiar with all these nostalgic childhood games, and after it is revealed that it was actually his playground, it totally makes sense that he would model the squid games after his own experiences and good memories. His player number, 001, also hints at the fact that he’s “number 1”, in control and just there for the shits and giggles. In episode 2, when Il-nam casts the deciding vote that allows everyone to go home, even that it is done intentionally. It’s not fun to play with reluctant people. He wanted everyone to voluntarily decide to return and play with him. It’s actually sick, lol. Anyways, despite all these clues, I WAS STILL NOT PREPARED FOR THIS REVEAL.

Utterly flabbergasted, Gi-hun demands an explanation. Oh Il-nam wasn’t lying when he told Gi-hun that he had a brain tumour, because the man is clearly on his death bed during this meeting. With his dying breaths, Il-nam explains that one thing that poor people and rich people have in common, is that life is boring. And so, after he had become unbelievably wealthy, he and his small group of elites (the VIPs) created the squid games as way to entertain themselves. He also reveals that the reason he decided to participate himself this time, was simply because it would be more fun, that playing the games would allow him to “feel something again”, more so than merely spectating. Il-nam’s philosophy is that all humans are completely evil and depraved, and so there is nothing wrong with treating them like animals and using their suffering for his own enjoyment. This final encounter with Il-nam is what finally shakes Gi-hun into action. He realizes that he can actually help people and change their lives with his wealth, rather than doing nothing, or entering back into the cycle of depravity. He rescues Sae-byeok’s younger brother from the orphanage, and puts him under the care of Sang-woo’s mother. He also gifts them with a suitcase of straight cash, leaving a note saying it is the money he owed Sang-woo.

One significant thing Gi-hun chooses to do is to dye his hair a bright red. Throughout the show, the green tracksuits of players signifies submission, being enslaved, being a cog in the wheel of this immoral machine called life. Red, on the other hand, was what all the workers and guards were wearing, and signifies authority and power. Gi-hun’s decision to dye his hair red could be a way to show that he is now in the power seat, and that he wants to call the shots from now on. But unlike the red suited masked men in the squid games, Gi-hun chooses not to abandon the weak, but instead he will fight for them. This is made very clear when he encounters the mysterious “train man” from episode one (aka Gong Yoo WOOOOO) playing ddakji with a random guy in the subway again, when he was on his way to the airport to visit his daughter in America. The two men make eye contact, and Gong Yoo slowly smiles in a very innocent but sinister way. Gi-hun is unable to catch him, but does manage to take the squid game business card away from the poor unsuspecting fool that Gong Yoo was bullying, lol. Gi-hun calls the number on the back of the card, and is greeted once again with a voice asking him if he would like to participate in a game. Gi-hun demands to know who the person on the other side is, and that the games be stopped. It is the front man who responds, telling him to just get on the plane, that this would be better for everyone. In the final scene, Gi-hun hangs up, and turns away from boarding the plane, and with a look of determination and resolve, begins to walk back.

WHAT A WILD RIDE. This is the first drama review where I really felt like I had to give a full summary of the story so that my thoughts and commentaries could be digested with more context. I’ve seen so many theories circulating about Squid Game, and it’s just been so fun reading all of them and having my mind blown again. This is definitely not a drama for the faint of heart of weak of stomach, but it was such a deep and rewarding journey. It made me reflect on the human condition, and how desperately flawed we all are. I would highly recommend it to anyone who enjoys a more thriller/horror genre of Korean drama! Thanks for reading, and happy watching!!

“Mouse” – Korean Drama Review 27

8/10 – What a wild ride LOL. This drama was one of the few that I was watching as it aired, and I think that really enhanced my experience. There were so many intense twists and turns, thrills and mysteries, that being left with an amazing cliffhanger every week and diving headfirst into theories and speculations made everything so much more fun!

[SPOILERS AHEAD!]

It’s so hard to talk about what Mouse is about, because there were sooo many details and plot points and nuances that slowly created a giant conspiracy wall that was not fully completed until the last episode. I don’t think I can go into anything too in-depth, otherwise I will be rambling on for far too long. But essentially, the story revolves around the idea of an isolated gene sequence that can predict whether a person will have psychopathic tendencies with 99% accuracy. People born with this genetic abnormality will lack empathy and proper reasoning abilities, be prone to aggression, and exhibit predatory behaviors. The audience is faced with many deep ethical questions, about whether unborn babies should be tested for this gene, whether such babies should be allowed to live, and most interesting of all, what happens if a previously psychopathic person comes to develop normal human empathy? In a sense, being a psychopath (in this story at least) is almost portrayed as being a mental illness with serious outward expressions (ie, murderous tendencies lol)…so can we fully hold someone accountable when they don’t understand that their actions are wrong? If empathy and compassion are dictated by our physiology, then how can we morally reconcile someone born without the capacity for those things? Furthermore, what part does upbringing play in forming a person with such a psychological issue? If an individual is branded at birth and isn’t allowed any opportunity to change or be redeemed, is that a self-fulfilling prophesy that will lead the person down a destined path to violence? I never thought I would be able to sympathize with the antagonist of a Korean drama, but here I am…

lee hyun-ju Tumblr posts - Tumbral.com

I will un-shamefully admit that my primary reason for starting this drama was because my man Lee Seung-gi was in it…and GAWD did he deliver. His performance was honestly career-changing in my opinion. LSG’s character, Jung Ba-reum, is first introduced as being a complete naïve cinnamon roll of a police officer. He’s gentle, abhorrent to violence and gore, and just the poster boy of purity. Many other characters comment that he isn’t really a good fit for his career choice, especially since South Korean HAS AN ABSOLUTE SERIAL KILLER EPIDEMIC IN THIS DRAMA LOL. I swear at least ten people died in the first 2 episodes lmao. But, as the story unfolds, we come to the realization that NOTHING IS WHAT IT SEEMS. Jung Ba-reum turns out to be a cold-blooded killer who murdered 9 people, and the main suspect, a seemingly cold doctor named Seong Yo-han, turns out to be an innocent person who is caught up in a crazy genetic experiment. Lee Seung-gi did a flawless job of being a ruthless villain, and it was all the more insidious because of how good he was at pretending to be good. I think it worked especially well because Seung-gi’s real-life public image has always been so pure, seeing him portray someone who is supposedly similar to him, and then flipping a switch and becoming the deadly “seven sins killer”, was chilling and amazing. His “good guy persona” was so convincing that even when LITERALLY SO MANY THINGS POINTED TO HIM POSSIBLY BEING A KILLER, I could not be entirely sure, hahaha.

ba drama Tumblr posts - Tumbral.com

Both Ba-reum and Yo-han were born with the “psychopath gene”, and are followed and observed throughout childhood by this “OZ” organization. While Ba-reum exhibits typical psychopath behaviours, Yo-han grows up to be a normal, compassionate, extremely intelligent person. We find out that after his family is tragically murdered, Ba-reum tried his best to suppress his true nature, hence learning to perfectly put forth a persona of kindness (the Ba-reum we are first introduced to). However, the OZ organization triggers his bloodlust, and after that, he goes on the killing spree that spans episodes 2-5. It’s really fascinating to experience the story from multiple different angles. First, we get it from the perspective of the second male lead, Go Mu-chi, a very smart but slightly crazy detective whose parents were killed by the “headhunter” serial killer when he was a child. The headhunter was a very famous neurosurgeon, and turns out to be Ba-reum’s real dad LOL (more on that later). Mu-chi is hellbent on revenge against murderers, and vows to catch the mysterious “seven sins” killer of the present, was was also responsible for brutally murdering his older brother.

One thing I thought the drama did really well was misdirecting the audience and using small details to provide clues and hints. Upon re-watching the show, it was super fun and interesting to notice them now that I knew what to look for. But it was a bit of a double-edged sword, because as much as the twists were fun and exciting, it caused the plot to get quite convoluted and over-saturated with characters and things to remember. And then when you toss in the OZ government conspiracy and all the drama associated with that, I can understand why some people wouldn’t be able to follow/just give up after a while. This is also why I find it really hard to explain the plot and main themes, because when I try, I have to keep mentioning other things that surround the main storyline haha. But anyways.

Ba-reum earns his trust along with everyone else’s, and they close in on the prime suspect, Yo-han. BUT THEN…the turning point. Ba-reum and Yo-han get into an altercation and both end up sustaining life-threatening injuries. Ba-reum’s entire frontal lobe is destroyed, and Yo-han is shot by Mu-chi. In an effort to salvage their human rights-defying experiment, the OZ organization saves Ba-reum by convincing headhunter-serial-killer-doctor-dad to transplant part of Yo-han’s frontal lobe into his. When this happened, I’ll be honest, I was kind of hitting the roof of my suspension of disbelief threshold. In fact, I almost stopped watching from sheer incredulity. “Really, they actually went THERE?” hahahahaha….but then, the plot gripped me again, because Ba-reum started to exhibit some intriguing behaviours. He started showing signs of being a psychopath, but he also clearly could understand right and wrong and had empathy. So then the question became…is he becoming a psychopath because of the brain transplant, or is he now normal because of it? At the time, we the audience didn’t know that Ba-reum was actually the serial killer from episodes 2-5, so it was really fun to engage with the viewing community each week, pass around theories, have discussions, and try to make sense of all the clues we were given.

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And those cliff-hanger endings. MY GAWD THEY WERE CHEAP SHOTS BUT I LOVED THEM. Almost every episode left me screeching, even if in the very next episode it was proven to not be as dramatic as the cliff-hanger made it out to be. By far my favourite one was the one where post-surgery Ba-reum, who couldn’t remember that he actually was a psychopath and therefore thought his “good guy” persona was his true self, finally discovered that he was a killer. We the audience all had our suspicions, and honestly it wasn’t unexpected at all, but damn, the way the reveal was slowly built up and executed, plus Lee Seung-gi’s perfect portrayal of shock, horror, and sorrow, it all came together to create a mind-blowing ending to the episode.

Lee Hee-joon was another highlight of the drama for me. He portrays Go Mu-chi, and honestly before this I had never heard of him. But he gives some of the most emotional and gut-wrenching performances of the entire show, and perfectly balances the line between hot-headed drunk cop and pitiful victim whose whole life just has one tragic turn after another. His acting was very powerful and layered. He sees his parents get murdered by the head hunter, and then he watches his older brother get murdered ON LIVE TELEVISION by the seven sins killer. The guy can just never catch a break. But his persistence, resilience, and excellent deduction skills prevail in the end, and he stays true to his convictions without sacrificing his humanity and hope for the future. I’m glad he was able to let go of his desire for revenge, and release that burden he had been holding onto for so long. It was really sad to watch his heart break at the thought of “moving on”, in a sense, but understanding that it was the right thing to do so that he could truly live and be free. His final reconciliation with Ba-reum broke me, for reals. The two had been through so much together…*QUIET SOBS*

Go Drama Go GIFs | Tenor

A few things I didn’t exactly care for, were some of the subplots that didn’t have direct relations with the main story between Ba-reum, Mu-chi, and Yo-han. I didn’t hate those, but if they had been removed, nothing important would have been lost haha. I also didn’t really care about the romance between Ba-reum and the female lead, Oh Bong-yi. I understand that for some reason ALL KOREAN DRAMAS need to have some romance incorporated, and it did add to the tragedy of the two characters once Bong-yi found out the person she loved had been deceiving her in his pre-surgery past life and had murdered her grandma (yikes), but again, to me it wasn’t an essential plot point. A plot that I didn’t mind necessarily, but that I guess just confused me(?) was the baby swap subplot. Basically, Ba-reum and Yo-han were switched at birth by their mothers, so that if either of the children started showing signs of becoming a killer, they could end the child’s life. I guess the rationale being that it would be a small mercy to not have to personally murder your own biological child? I don’t know LOL yeah that one was a bit of a stretch. Anyways, because of that, Yo-han was mistakenly viewed as the headhunter’s son for his whole life, when in reality Ba-reum was the one who inherited his psychopath gene. That being said, it worked as well as it could have, so I will just accept it haha.

One reddit poster described it very accurately, saying that instead of seeing Mouse’s writing as being messy, it is better consumed as an interactive experience, and I fully agree. The best part of this drama (aside from the absolutely stellar acting and visual aesthetic and soundtrack – THE OST IS HYPE Y’ALL), was watching with my sister and letting our minds be bended every week, feeling the stress and uncertainty, shaking each other’s shoulders screaming “WHAT IS GOING ON??!”. HAHAHA, to me, it was all part of the joy of asian dramas. And that’s why the “messy writing” and convoluted story-telling (ie: jumping around between past and present, only being shown snippets of a situation and then being shown the full picture later, etc) didn’t really bother me. When I watch dramas I tend to just absorb whatever I’m being spoon-fed without complaint haha. I came for Lee Seung-gi, but the drama left a strong impression on me from all the actors, as well as from the tragic and morally ambiguous themes. (Also sidenote: I will say from personal experience that the show has a high re-watchability. I’m currently re-watching it with my mom and another sister, and it’s still so good, partially because I love watching THEM go through the confusion and anxiety that I went through the first time. heh heh it’s great xD)

FINALLY, I need to talk about the tragedy of Ba-reum and Yo-han’s character arcs. Both children were pidgeon-holed at birth because of genetics, and placed in a horribly unethical experiment with the intention of showing the world that those with the psychopath gene were irredeemable and therefore, ought to all be eradicated. Yo-han in a sense got off lucky, because he represented the 1% of those with the gene who don’t display psychopathic tendencies. He was discriminated against throughout his life because people thought he was the headhunter’s son, but even though his redemption didn’t come until after his death, at least his name was cleared and it was made known that actually he was an upstanding and compassionate guy all along. I felt really bad for him on so many levels though…misunderstood, never got to live a happy normal life with his younger half-siblings, AND HE ONLY DIED BECAUSE THEY NEEDED HIS BRAIN. He would have survived his wounds if OZ hadn’t interfered to ensure Ba-reum’s survival. OMG. SADNESS.

Then we have Ba-reum, who was in a way, cursed and redeemed at the same time. Because he gained Yo-han’s normal frontal lobe, he could now feel all the crushing guilt of his past actions. I thought it was really beautifully resolved actually. When Ba-reum was a child, he prayed to God to not make him into a monster…and while he was a killer, he resented that God did not keep his promise. But then, you can say that through the surgery, Ba-reum’s prayer WAS answered, and he was no longer a monster…and his ultimate punishment is living with the consequences of his actions and feeling the remorse and pain of hurting those who used to love and care for him (ie: Bong-yi, Go Mu-chi). Lee Seung-gi lamenting his crimes and crying in like every episode leading up to the end, truly broke my heart. It was especially heart-wrenching when he was apologizing to Bong-yi for murdering her grandmother. You could just see how destroyed and helpless he was. He was not the bloodthirsty person he used to be, but he could not take back his past sins or ever properly make amends. I never thought my heart could ache for someone who had done such horrible things. And just thinking about how things might have turned out differently if he had been brought up with love, affection, understanding, and THERAPY, omg. Instead, he was abandoned by both his parents, and abused by the government for their own objectives. Everyone, including himself, has said all throughout that he was born a monster…but the truth is, he grew into one. In the end, all he can do is accept the consequences and die miserable and alone. I’m really glad at least in the end he realized that he was no longer a monster. The final scene of him comforting his child self and hugging and crying together, just wow. 10/10 tears shed.

Mouse 🌝How many of you are watching too 👀 | K-Drama Amino

Okay I am done ranting and raving, ahahaa. Overall, a very enjoyable and thrilling drama that I won’t soon forget! The final message of forgiveness and justice is a controversial one, but it was heart-felt and complicated, just like forgiveness is in real life. I felt the ending was a satisfying, bittersweet resolution to a very impactful story. Thanks for reading, and happy watching!

“Signal” – Korean Drama Review 21

9.5/10 – WOw. There is a reason why “Signal” has the acclaimed reputation of being one of the best police/crime Korean dramas ever, past, present, and future. FAM I WAS TRIPPIN’ THE WHOLE TIME, in the best way possible hahahaha.


“Signal” follows the story of Park Hae-young, a very brilliant cold case profiler who accidentally finds an old walkie-talkie that allows him to communicate with someone from the past: Lee Jae-han, a police detective from 1989. Working together, they solve crimes that are currently cold cases, that that happened during Lee Jae-han’s time, and try to effectively prevent these crimes from happening/escalating.

Review: Signal | K-Drama Amino

For this review/reflection, I’m not going to give any specific spoilers at all, because I really think that the unpredictable nature of this drama is one of the most enjoyable aspects! I will go into some general takeaways that don’t give too much away though, BECAUSE I NEED TO GET IT OFF MY CHEST.

I was honestly blown away by the use of “time travel”. No one actually travelled back or forward in time, but that special walkie-talkie that connected the past and present for a minute or two every so often provided so much richness and intrigue to the story-telling. The drama’s execution of flashbacks and time travel was so good. What the directors and script-writers produced in this drama is what all time-travel-esque shows aspire to do: use this magic realism element to enhance and propel the story, but not as a crutch or convenient plot device. And even without the walkie-talkie connection, the story was still so good!! The way all the crimes and character fit together was seamless and thoughtful, and of course it all ties back to corruption, greed and selfishness from people in power.

What I’m about to say is probably going to make me seem kind of shallow, but it’s the honest to goodness truth. “Signal” is the first drama I’ve watched where my favourite male character is not who I think is the most good-looking, LOL. Look man, I think we’d all be lying if we denied that part of the appeal of Korean dramas is the eye-candy, hehehehe. But no seriously, Lee Jae-han, played by Choi Jin-woong (apparently he’s super famous and acclaimed, I will have to check out his other works!), is hands-down my favourite character in the whole show. Choi did such an excellent job of portraying him as a very ordinary cop with ordinary looks, abilities, and intelligence. But what set him apart was his extraordinary sense of morality and selfless duty. His characterization was so subtle and flawless. You could tell that at heart he was a meek and gentle person, with a bold streak that shows itself when it comes to fighting for justice.

I really loved how Park Hae-young and Lee Jae-han actually develop a sort of friendship through their brief walkie-talkie conversations, even though they LITERALLY are from different times. They grow to respect each other immensely as fellow police officers, tied together by a mutual desire to seek the truth and get justice.

The third main lead is the team leader of the police cold case squad, Cha Soo-hyun, played by Kim Hae-soo. I think this was the first Korean drama I’ve seen where the female lead was truly on-par with the men as far as strength, capabilities, and mental fortitude are concerned. I also thought it was really fascinating how she was connected to both Lee Jae-han (she was his junior officer back in 1989) and Park Hae-young (she is his team leader in the present as they solve cases together). To be honest, I was indifferent to her crush on Lee Jae-han, but it was why she was still committed to his cases so many years later, and because she and Park Hae-young had such vested interest in the same man from the past, it helped knit the plot together even better. I thought it was so cool how we see her growth from past to present. She started out as a timid, inexperienced officer in an otherwise all-male precinct, whose incompetence was a constant source of frustration for Lee Jae-han, into a clever and tenacious team leader who was more than capable of going toe-to-toe with any criminal. And behind the armour she built up over the years, she still showed deep-seeded vulnerabilities and softness. It was a realistic portrayal of an strong, independent woman, and I really appreciated that. With most Korean dramas, everyone’s connected in more ways than they think! I thought it was such a good story-writing decision to give the audience bits and pieces of the whole timeline throughout the entire course of the show, even up to the last episode, so that I was guessing and speculating the whole time. Every encounter and interaction between characters was woven deliberately and with intention, and because of that, the story flowed very well.

I highly highly recommend this drama for anyone who enjoys crime/thriller dramas, who isn’t that concerned with romance or “cute” characters. This drama is dark, intense, and the definition of a slow-burn masterpiece! When everything came together in the end, I was left speechless, quite literally. My mind was able to process it and understand it all, but I wasn’t able to articulate it or explain “how” things fit together because it was just so trippy!!! Does that make sense? hahaha….anyways, you’ll get it. Please check this one out!! Thanks for reading, and happy watching 🙂

 

“Save Me” – Korean Drama Review 19

9/10: dark, enthralling, and kind of disturbing at times; great protagonists, absolutely despicable and well-developed villains.

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This was probably the heaviest drama I’ve ever seen, tbh, haha. The subject matter was just so intense and frightening, and the show crossed lines and entered territory that I don’t think is very typical for most Korean dramas. Basically, “Save Me” was fantastic, but also quite a burden to watch, in the best possible way. The story itself is fairly straightforward: Im Sang-mi is a reserved, strong-willed girl whose family moves to a small town and gets indoctrinated by a cult (her dad becomes a delusional “believer” and her mom gets drugged into becoming a vacant bed-ridden patient at the cult nursing home…), and she must save herself with the help of four boys she knew from high school. The show gets so dark so fast, and even though the plot progresses at a slow and steady pace, every episode was filled with such tension and anxiety because of how many horrible things happens to our main heroes, and because of how truly evil the leaders of the cult are.

[SPOILERS AHEAD]

Definitely the highlight of this show was the main cast. Seo Ye-ji as Sang-mi was hands-down incredible. She portrayed the character to be so strong and brave without being foolish or outspoken. There was a very quiet and dignified strength and resilience that Seo Ye-ji captured perfectly. Even though in many ways she fit the bill of a damsel in distress, and was often caught in helpless situations or was over-powered by authority, she was never passive about her situation, and didn’t take any of it lying down. She resisted in the ways she could, and after she gains friends who vow to help her, she confidently and thoughtfully protects herself and her mother.

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The four friends who help Sang-mi were all great. They had such trust and faith in each other, and their willingness to sacrifice for Sang-mi was so touching. Han Sang-hwan is the son of the town’s very well-loved governor, Woo Jung-hoon is the silly and live-streaming son of a local police officer, Choi Man-hee is the gentle of the group, and finally, my favourite “bold guy” Suk Dong-chul, played by MY MAN WOO DO-HWAN, came at us once again with a tragic backstory and a flawless performance hahahahahha. His character was by far the most intriguing and multi-dimensional, and the foil he creates with his best friend Sang-hwan really elevated both characters.

I loved how Dong-chul had a straight and uncompromising sense of justice, and never hesitated to stand up for the weak. He sacrifices himself on many occasions for the sake of others, and often suffers because of the corruption of the system. His father is the village drunk, and his family has no influence or power, so he is the one that often gets exploited by those who do have power. All he has is his grandmother, who works hard collecting boxes to sell so that she can buy her beloved grandson his favourite jajangmyeon.

The initial incident that sets the tone of the whole rest of the drama heavily involves Dong-chul and his attempt to protect the weak. Sang-mi and her twin brother Sang-jin are introduced as new students to the four boys’ high school. However, Sang-ji was born with a limp in one leg, and he is ruthlessly bullied by other students. It is implied that the Im family moved to the small town of Mooji because he was being bullied at his old school as well. Things escalate quickly, and Sang-jin is taken up to the roof of the school and is beaten and forced to take his pants off and be sexually abused by the bullies (IT WAS APPALLING). Sang-mi is desperate to save her brother, and begs Sang-hwan and Dong-chul to help her. Dong-chul doesn’t think twice and leaps to action. Sang-hwan on the other hand, is conflicted because of the pressure to keep his father’s image clean before the governor election. In the end, he decides not to help. Dong-chul is disgusted, and goes up to the roof alone with Sang-mi to kick ass. Unfortunately,  Sang-jin is completely broken emotionally and loses all hope, and commits suicide by jumping off the school building, to the absolute horror of Dong-chul and Sang-mi (remember when I said this show goes to dark places? I wasn’t kidding). All the bullies and Dong-chul are taken into custody, but the other students are released because their parents come to their rescue. Dong-chul is left to take the blame for everything!! THE INJUSTICE WAS SO INSUFFERABLE. Eventually he is wrongfully sent to prison for three years, the scapegoat of a freak accident where one of the bullies is critically injured. In that time, his grandmother passes away due to working too hard to earn money to send to Dong-chul. One of the most heart-breaking scenes in this whole drama was Dong-chul after his release, eating a bowl of jajangmyeon by himself, sobbing and emotionally wrecked. I DIED.

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The deep regret and self-hate Sang-hwan feels for his cowardly actions, and his inability to save his friend follows their friendship for a long time, but thankfully the boys’ bond is too deep to break, and they eventually reconcile. Dong-chul acknowledges that they were both imprisoned – him in a physical cell, and Sang-hwan in a prison of guilt. Their reconciliation really kick starts the mission to save Sang-mi. Dong-chul, aptly nick named “the bold guy”, immediately goes undercover and infiltrates the cult by pretending to be a clumsy, curious, good-natured student. Sang-hwan and Jong-Hoon and Man-hee work from the outside, slowly gathering police support and trying to convince detectives to investigate.

With Dong-chul by her side, and with the knowledge and trust that her other three friends are working tirelessly outside the church walls, Sang-mi defies the terrifying cult leader, who is basically a lustful power-hungry lunatic who brainwashes his followers into believing he is the Spiritual Father with a capital S and C, and that he will bring them onto the “ship of salvation” to the “mighty new sky”. I am a deeply Christian person, and I thought the portrayal of the cult was honestly so on point. Twisting the bible, manipulating followers into donating excessive amounts of money to earn “first class seats on the ship of salvation”, telling straight up lies and justifying them as being means to the ends, and calling people satan if they defy them…all classic cult-y behaviour haha. There were definitely some scenes that were sickening and almost hard to watch. When members were “prayed over”, except they were being beaten black and blue…when defiant people were dragged away and locked in underground “prayer rooms” aka dungeons…when the cult leaders took advantage of people’s fears and weaknesses to control them….yeah, it was pretty distressing stuff.

I’ll be honest, watching the drama was quite tiring, because I hate so many of the characters haha. I hated the cult leaders for being evil and crazy. I hated the cult followers for following so foolishly and turning a blind eye to the obviously shady things going on in their church. I hated Sang-mi’s dad for being a completely useless father who essentially consents to let his god (the cult leader) rape his daughter for the sake of “salvation”. I hated Sang-hwan’s dad for being a corrupt governor who desires power over his own family. I hated the many many MANY useless adults who do damn near nothing, while four 20-year-old boys single-handedly confront great evils. I know it’s a drama, so of course the heroes have to do most of the heavy-lifting, but man, it was rough!! But I think that’s also why the happy ending felt so earned and deserved. After so much hardship and pain, I was relieved and satisfied to see these brave resourceful young people come out on the other side victorious and vindicated.

I would highly recommend this drama to anyone who is looking for a slow-burning thriller drama. Please be advised that it is definitely for mature audiences, haha.

To end off, let’s admire how cute Woo Do-hwan looks as a dorky undercover cult-goer:

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“Train to Busan” – Movie Review

Given the fact that the world is a very virus-ridden place right now, I decided to re-watch this classic again, because “Train to Busan” is hands-down the best zombie movie ever. Indisputable. This is truth. Most other zombie films rely too heavily on mindless action  and basically always involves some bad-ass guy clothed in plot armour and has access to many semi-automatic weapons. But this movie stands out is because the story is character-centred and involves highly sophisticated development for the main protagonist, and it doesn’t sacrifice the gore and suspense either. Korean zombies CAN RUN, let me tell you, they are not here to play LOL. It was also actually super smart to have the majority of the movie take place in a confined claustrophobic train. With nowhere for our characters to escape, it really raised the stakes and kept the stress high.

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[SPOILERS AHEAD…ALTHOUGH THIS MOVIE CAME OUT IN 2016, IF YOU HAVEN’T SEEN IT YET, YOU’VE BEEN SLEEPING]

Gong Yoo’s performance as Seok-woo was SO GOOD!! He perfectly captured the slow transformation from selfish workaholic into a truly brave man who is willing to sacrifice himself for others. One of the most interesting parts of zombie films is that it really provides a foundation to express social commentary and human psychology. After all, it’s during crisis that people reveal who they truly are. As the story progresses, we see Seok-woo change from being someone similar to Yon-Suk (a selfish cowardly high-class man who LIKE INDIRECTLY KILLED A HANDFUL OF PEOPLE BECAUSE HE ONLY CARED ABOUT SAVING HIMSELF, rip baseball boy and his girlfriend omg…), into a strong hero type as portrayed by Ma Dong-Seok’s character, Sang-hwa. The juxtaposition between those who try to save themselves, and those who try to help others is executed very well, and I really appreciated the extra mile the movie went to intentionally defy stereotypes. For example, the “tough guy” character Sang-hwa, who we would expect to be ruthless and selfish, was actually one of the most selfless. Even though he had a pregnant wife to protect, he goes out of his way to save Seok-woo and Su-an (the daughter). Another example would be the homeless man who snuck onto the train. Although higher class people like Yon-Suk looked down on him, and there was the assumption that he was a dirty, mentally slow man, he saved Seok-woo multiple times and ultimately gave his life to save Su-an and the pregnant wife.

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I love this movie because behind the hoards of sprinting zombies, blood splatters and thrilling action sequences, it’s a movie about sacrifice. Seok-woo wasted his whole life working and climbing up the corporate ladder rather than caring about his family, and it’s not until he finds himself in this zombie situation that he realizes his mistake. Seok-woo’s final sacrifice for his daughter is absolutely heart-wrenching because the audience can feel his regret and despair. His priorities were finally set straight, but now it’s too late to start fresh. I literally cry every time…the girl that plays the daughter Su-an honestly deserves an Oscar. HER TEARS ARE MY TEARS.

Anyways, my opinion is that this movie is damn near flawless, not just as a zombie flick, but as a cinematic experience in general.

“Parasite” – Movie Review

I know, I know, I’m absurdly late to the party. I PROMISE I HAD WANTED TO WATCH THIS MOVIE BEFORE THE OSCARS WIN HYPE!! I just didn’t get a chance to because of the limited release in my country. Anyways, last night I watched it with my parents, sister, and fiancé…

[MILD SPOILERS AHEAD; I WOULD RECOMMEND GOING INTO THIS MOVIE WITHOUT AN IDEA OF THE SYNOPSIS]

And it was amazing, Bong Joon Ho is a genius, and all the actors were *chef’s kiss* mwah. I’m not sure if it’s because of the psychological bias of knowing it’s a critically acclaimed movie, but I thought it was pretty masterful. Not only was it a beautifully shot movie that seriously highlights the disparity between classes in South Korea, it was surprisingly refreshing and darkly funny as well. One element  I think that was particularly handled well was the the use of visual and verbal metaphors! There was one scene early on where the poor family is given a “lucky stone” that promoted prosperity, and the son said “this is so metaphorical” – I thought that was an incredible witty use of dialogue that not only set the tone, but also made the audience attuned to the heavily allegorical nature of the movie. The image of stairs and staircases was used throughout the movie as a physical manifestation of upper and lower classes; walking upstairs led to scenes in the affluent settings where things appeared polished and happy, whereas every time a character travelled down a flight of stairs, it denoted the character’s literal “descent”, a grim return to physical and moral poverty. Another motif that was the movie emphasized was the use of light and dark. The poor families that relied on the rich family were literally like parasites (during one scene the poor father even talked about cockroaches), emerging when it’s dark, and then scattering when the light shines.

Besides the brilliant dialogue and visual story-telling, this movie had everything: humour, suspense (trust me…A LOT OF SUSPENSE), action, gore, you name it. I guess that’s why people have a hard time putting it into a category. I would classify it as a comedy thriller, but that title doesn’t fully capture the social commentary aspect of the movie. I’m not sure if the movie is a realistic portrayal of Korean culture, of if it was exaggerated for dramatic effect, but the message of the movie was depressingly clear: society is cruel and will always make sure there will be people at the bottom. The ending especially, really drove the nail into the coffin. Instead of ending on an ambiguous note, or with a strong sense of potential for redemption and resurrection, the movie ends where it started – in a dingy, low-class basement. There is a sense of hope, but it is darkened by the reality that just because there is a will, there is not always a way. The movie did a really good job of making it difficult to choose a side. Who were the victims here? The gullible good-natured, but totally self-centred rich people who almost unconsciously scorned the lower class? Or was it the deceptive and resentful poor family who worked hard but continuously got struck down by society and circumstance?

I would highly recommend this movie to anyone! Don’t be discouraged by foreign language films; I promise you, having to read subtitles is a negligible downside!!

 

“Vagabond” – Netflix Korean Drama Review 10

8/10: I loved this drama so much that even the WTF ending didn’t really get me down lolol…(I still feel very cheated though).

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I’m speechless, honestly. HOW COULD THE WRITERS DO THIS TO ME?!

[SPOILERS AHEAD]

I enjoy a good cliff-hanger as much as the next girl, but the ending to Vagabond was especially frustrating because it felt like after 16 hours of espionage, conspiracy, and bloodshed, we literally went back to square one. Like, WTF?!

However, that being said, there was so much good acting and good action, and a highly gripping (albeit grossly unrealistic) plot involving terrorist attacks and corrupt powerful people, that even though the ending had me writhing with dissatisfaction, I still have to walk away saying it was a good drama, and definitely worth watching.

Cha Dal-Geon, played by the hunky Lee Seung-gi, had a fairly simple characterization, and is a brooding, vengeful stuntman who swears to untangle the insidious web of corruption behind a plane crash that kills his young nephew. However, I was truly impressed by Lee’s intense portrayal of the character. There was so much grief and frustration and rage LOL!! And the fact that he did all his own stunts in real life, too! Although his character didn’t go through a lot of deep development, it kind of made sense that his convictions and sense of justice didn’t waver throughout the drama. No matter what obstacles got in his way (and no matter how many people popped up trying to kill him – trust me, there were many), he grit his teeth and fought his way out. I admire his steadfastness and resolve a lot!

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My girl Bae Suzy was also back as the female lead, this time portraying the clever and tenacious, but also somewhat incompetent, NIS agent Go Hae-ri. She gets caught up in the plane crash terrorist attack when it becomes apparent that the cause of this tragic event extends beyond just isolated terrorism, but actually involves huge business conglomerates, the federal government, and Korea’s very own National Intelligence Service. DUn duN DuN!!! Suzy’s acting continues to improve! I really enjoyed her performance in “While You were Sleeping”, and I was curious to see how she would hold up in a more dramatic, action-heavy show as opposed to a romantic comedy (although “While You were Sleeping” did expand into many genres). I think she did a really great job! She complemented Lee Seung-gi very well, and their excellent chemistry was a highlight of the drama for me!

Image result for vagabond korean drama gifs Also, this scene, where they were trying to high-five through prison bars with Cha Dal-geon handcuffed to a pipe was so cute haha.

The acting and production value in general was top-notch! I have noticed that most Netflix original dramas do seem to involve more exotic places, complex camera work, and larger sets and action sequences (Ie: “Memories of the Alhambra”). It’s nice to see that a bigger budget does lead to bigger entertainment sometimes, aha. Another thing they have in common is the OPEN ENDING LEAVING ROOM FOR A SEASON TWO. “Memories of Alhambra” was bad enough, but the ending at least provided some level of closure, while still dangling some loose ends for more story. But VAGABOND, OMG. Just watch it…you’ll understand.

Finally, shout-out to the whole supporting cast!! The acting was consistently strong throughout, even with the foreign actors (which was nice to see! I’m glad they used local actors, too!). Engaging characters and well-developed portrayals can definitely make up for perhaps a weaker storyline in many cases! In particular I really loved the NIS agents Ki Tae-woong (played by Shin Sung-rok) and Gong Hwa-sook (played by the hilarious Hwang Bo-ra). Hwa-sook was mostly a comic relief character, but she was sharp and resourceful, and I always enjoyed her scenes. Agent Ki was a character who really grew on me as the drama progressed. He acts a a foil to Dal-geon. Both of them are so stoic and rigid in their senses of justice and righteousness, but where Dal-geon is more fiery and headstrong, Agent Ki was icily calm and more calculating in his actions. Agent Ki placed super high importance on following orders and obeying the government…but when those ideals clashed with his moral code, it was really interesting to see him wrestle with his priorities and go through that character development.

I would say one criticism I have is that there were a lot of PLOT TWIST moments that successfully cause my fiancé  and I to be like “OMGGG NO WAYYYY WHAT??!?”, but then when you take yourself out of the story and actually think about if that was feasible, the answer would be “lol no”. This also happened with a lot of characters, because for the vast majority of the show, you had no idea what people’s intentions were, whether they were on the good side or the corrupt side, or who could be trusted. I personally don’t really mind unrealistic “far left field” plot holes as long as they aren’t too frequent or too blaring, but I could see how some viewers might feel like the story just gets “too crazy”. As my sister described it, it’s literally a conspiracy theory taken ALL THE WAY haha. But hey, I’m here for it, lol.

Overall, if you love action dramas that keep you on your toes and guessing the whole time, I think you’d like this drama. Amidst the fighting and gunfire, there was also enough of a sprinkling of humour, romance, and heart-warming/heart-wrenching moments to adequately diversify the emotions of the audience. I would highly recommend it for a fast-paced and thrilling good time!

Thanks for reading, and happy watching!!

I Hear Your Voice – Korean Drama Review 6

7/10: I’m not the biggest fan of “noona” dramas, but this was a surprisingly good drama!!

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Literally the only reason I decided to watch this drama was because of my man Lee Jong Suk (lmao), but surprisingly, by the time I finished it, the supporting characters had captured my heart as much as the main leads!

It was definitely a more serious drama, with less humour and more conversations, full on court hearings, and intense moments, but I actually enjoyed it a lot overall! The only completely fictional aspect of the drama was the main character’s ability to read minds when he looks into someone’s eyes, which he acquired after he witnessed his father getting beat to death by a man who had first tried to kill them both by running them over with a semi. Yeah, the plot went from zero to one hundred REAL fast. The story is quite “law” heavy, as almost all the characters except the main male and the main antagonist, have careers in the legal field. I didn’t mind it at all though, because the cases were always presented in very engaging, logical ways that were easy to follow but also interesting!

I’ll be honest, it took me a while to get used to the main couple relationship between high school senior Park Soo Ha (played by the one and only Lee Jong Suk) and public defender Jang Hye Sung (played by Lee Bo Young). I know age doesn’t matter when it comes to love and affection, but I can’t deny that it was a bit unsettling during the flashbacks and seeing 8-year-old Park Soo Ha falling in love with a high school girl lmao….but throughout the drama, I grew to accept and acknowledge the purity of Park Soo Ha’s devotion. I thought it was really touching how he could read Jan Hye Sung’s every thought (and she was characterized amazingly by Lee Bo Young to be quite an unlikeable and callous person) and still persistently love her. Her insecurities about him knowing her worst sides was too real, but as she came to understand and share Park Soo Ha’s depth of love, that gave her a lot of confidence in their relationship.

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But okay, the character that grew on me the most was absolutely Seo Do Yeon, played by the stunning actor Lee Da Hee. She is portrayed as an extremely proud, unscrupulous prosecutor who is constantly at odds against Jung Hye Sung (and not just because they are on opposing sides of court trials). As the wealthy daughter of a judge, Seo Do Yeon bore false witness against Jung Hye Sung over an accident, and that immediately put them into frenemy territory. And then later, the two girls witnessed Park Soo Ha’s father being killed, and she tricked Jung Hye Sung into testifying in the criminal trial but chickened out herself (that was the beginning of Park Soo Ha’s crush though, so I guess a good thing came out of that lol). Her actions as a child made her a hateful character, but throughout the drama, Seo Do Yeon’s sense of justice and work ethic and legal integrity was consistent and correct, so as a viewer, you could never really despise her as a true antagonist. Seeing her character grow and soften as she was confronted with her mistakes, and her having the fortitude to acknowledge these mistakes and correct them, was truly touching. Especially for someone with an incredible amount of dignity and pride, I could understand how difficult it was for her to humble herself and repent. By the end of the drama, Seo Do Yeon and Jung Hye Sung genuinely cared about each other (thought both women were loathe to admit it) and respected one another as professionals and as friends. Actually, probably still frenemies. But the animosity was gone, which was so great.

This was one of Lee Jong Suk’s earlier dramas, but I honestly couldn’t tell. His acting was amazing as usual, and many of the most emotional scenes obtained their impact from his intense performance. His character was very mature and serious, the quintessential Korean drama guy who is clever, insightful, capable, and devoted, and with the added bonus of his mind reading abilities, he definitely had the advantage in many situations. However, I really loved how he was juxtaposed to the main antagonist, Min Joon Gook, the murderer who killed his father and several other innocent people. Both characters had the same great flaw: being emotionally volatile and strongly motivated by a desire for revenge. But because Park Soo Ha had the support of Jung Hye Sung and other attorneys and friends, he chose to stay the victim, rather than becoming someone he hated. One line that echoed the importance of choice was something Jung Hye Sung said when she made him promise never to kill Min Joon Gook or seek revenge. She said that if you kill someone, even if it’s for revenge, you are no longer a victim, but simply a murderer. This was the path Min Joon Gook chose, and it led him into deep waters until he felt he had no choice but to keep going until the end.

Overall, I enjoyed this drama more than I thought I would! It wasn’t as addicting and exciting as “While You Were Sleeping”, but I thought was ending was extremely well-done, and the whole drama left me satisfied and wanting more. If you like Lee Jong Suk, and thrilling murder plots and law court proceedings that keep you interested the whole way through, then you’ll like this drama!

Thanks for reading, and happy watching!

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“While You Were Sleeping” – Korean Drama Review 5

10/10: PERFECT FIRST EPISODE. REALLY GREAT LAST EPISODE. Engaging story that captivated me from beginning to end!!

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Disclaimer: I literally finished this drama last night and so am still riding the giddy high of how good it was after a first viewing. So this review may definitely be biased haha. But like I said, if I like a drama while watching and right after, that to me is an A+ drama. Whether or not I discover flaws after a longer period of reflection does not impact my overall opinion about things I watch and enjoy. 

Guys. GUYS. GUYS!!!! I think this was the best drama I have watched so far!! My sister and I hopped into this one immediately off the back of “W” because we were eager for more Lee Jong Suk, and we both agreed that this was wow. In terms of acting, story-telling, production, use of magic realism, and level of consistent engagement, this drama gets a solid “10/10 would recommend!!!” It’s at the point where I’m forcing my fiancé to watch it with me even though he’s really not into asian dramas, just so I can watch it again!

It was the perfect balance of fantasy, thriller, romance, and comedy. I loved how every detail and writing choice had a purpose, and how the past and present connected to the future. It is a crime/mystery drama involving lawyers and prosecutors, and I really appreciated the intelligent writing in this regard. All the cases were thoroughly flushed out, and the investigations and courtroom hearings made sense and could be followed and left room for keen-eyed viewers to solve as well! There was honestly never a dull moment, or a side-story that seemed unnecessary or poorly done. The ending was very satisfying, and to the very end the viewers are given “Ohhhhh!! So that’s why!!” moments that I absolutely loved and appreciated. The very last scene especially, I was left feeling so satisfied and content, but also sad that it was over! This drama was extremely good at showing certain scenes and then later coming back to those same moments but from different points of view or perspectives, which gave each scene so much more depth and impact. In terms of the plot, it was so carefully woven and knit together, and I’m not sure how exactly to describe it without going into details, especially the first episode. You can definitely tell that the story was written with a concrete ending in mind, and it made for an excellently cohesive roller coaster of a show!

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[SPOILERS AHEAD!! MAINLY FOR THE FIRST EPISODE]

I don’t usually give overly detailed descriptions of the plot in my drama reviews, but for this one, the story is so fascinating and complex, that I don’t think I can talk about everything I loved about it without providing some context. The story really delved into the idea of destiny, and the influence we can have on others and ourselves through the decisions we make, and I thought it was epic.

But okay, one last thing before I get into the details: the soundtrack for this drama was amazing!! I haven’t been so attached to any drama OST since Goblin!! Lee Jong Suk sings my favourite song “Come to Me”, and man, the song writers and producers are geniuses, and Lee Jong Suk does a great job considering he’s not a professionally trained singer. His voice is very expressive and soft, and was a pleasant surprise for me! Okay, back to the spoilers haha…

The story follows Nam Hong Joo, played by Bae Suzy, a spunky and clever news reporter who has prophetic dreams about the future. Oftentimes these dreams show negative events that will happen to the people around her, or to herself. All of Nam Hong Joo’s dreams are SUPER vivid and detailed, and she can often discern time, place, and even date sometimes! When she was young, she had a dream that her father dies in a bus explosion after trying to detain a military soldier who had abandoned his post and was fleeing the authorities. The dream comes true despite her efforts, and after that point,  she grows up resigning herself to the reality that she does not have the power to change the future. Her mother is the only person who knows about her ability, and of course, is constantly worrying…when Nam Hong Joo has a terrifying dream that her mother dies because of her! Horrified, she cuts all her hair off in a desperate attempt to change the future, because in her dream she had long hair. Even so, there’s a sense of foreboding and inescapability of destiny. So yeah, you can imagine her life is pretty stressful and bleak.

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The drama starts out with one of her dreams – it was such a beautiful first image!! It was a snowy nighttime scene at a city intersection, and it shows Nam Hong Joo slowly walking up to a stranger, hugging him, thanking him, and telling him that she believes him. And this stranger is none other than my man LEE JONG SUK. Once again, he blew me away with his amazing acting, expressive facial expressions and line delivery, and adorable smile. He was the main reason we started this drama, and he and story were the main reasons we stayed!! Lee Jong Suk plays Jung Jae Chan, a newly graduated law prosecutor who moves in across the street from Nam Hoo Joo (she wakes up from her curious dream wondering why she hugs a stranger, and then looks across the street and SEES HIM, and is super confused and intrigued hahah). I love how his character was not super stereotypical of the Korean drama male lead. He is shown to be quite a slob in his living conditions, clumsy and sometimes silly, inexperienced at his job (he’s new, give the guy a break!) and lacking confidence in himself. However, he is so earnest in his work, and feels a great sense of justice and honesty. He is called a sloth and a mole because he digs into his cases much more thoroughly than any of prosecutor. I felt like this was not something he should have been bashed for by his colleagues, but his carefulness made him super inefficient, and a running gag was how many unsolved cases he had stacked up in his cluttered office.

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The episode continues with Nam Hong Joo and her boyfriend getting into a car accident that kills a police officer and sends her into a nine month coma. Yeah, it went from zero to one hundred real fast haha. NOW, the incident becomes next level crazy because the boyfriend, named Lee Yoo Beom (played by Lee Sang Yeob), who is a lawyer and Jung Jae Chan’s childhood tutor, is actually a very manipulative, self-centred man who often uses very unscrupulous methods to win cases and further his own career agenda (ie: fabricating evidence, omg). We learn that even since childhood he had a habit of lying and manipulating others, and he is the one driving the car when the accident occurs. He was conscious after the accident, and desperate to keep himself innocent, he switches places with Nam Hong Joo so that it looks like SHE WAS DRIVING THE CAR. When she finally wakes up from her coma, her hair has grown back, and she finds out her mother had been dragged by the media because of the accident, and that she had passed away after over-working to try to pay off Hong Joo’s medical expenses. Jung Jae Chan becomes the prosecutor in charge of the case, and although she desperately tries to convince him that she was not the driver, there is no proof to back up her claim. Heart-broken that she couldn’t prevent her mother’s death and angry that no one believes her, Nam Hong Joo jumps off the side of the hospital as Jung Jae Chan tries to save her!!

AND THEN BAM, Jung Jae Chan jolts awake, still reaching for Nam Hong Joo as the terrifying image of her falling to her death continues to race across his vision. IT WAS ALL A DREAM. See, this is why I had to explain a lot more of the first episode plot than usual. This is what I meant when I said past and present connects to the future. And this is the key point that connects all the characters! So, Jung Jae Chan wakes up, shook and bothered by his dream that felt so real and vivid. At first he tries to dismiss it as nothing more than that, but when the events in the dream start happening with eerie accuracy in his real life, he can’t ignore it. Although he tries to subtly warn Nam Hong Joo, that is not enough to stop the tragedy and crime that will unfold. So he takes drastic measures to prevent the fatal car crash by intercepting Nam Hong Joo’s car with his own, thus getting into a two car collision but saving the police officer that was crossing the street and would have been struck. Lee Yoo Beom is furious, and when Jung Jae Chan tries to explain that he was preventing three more deaths, obviously he is met with disbelief. Except for Nam Hong Joo, who also has prophetic dreams and therefore believes and understands him. And that brings us to the opening scene, with Nam Hong Joo hugging Jung Jae Chan and thanking him and telling him she believes him.

THE FIRST EPISODE WAS PERFECTION. I was completely hooked and intrigued and eager to keep watching to find out how these two characters developed and worked together. I loved every moment of it, from beginning to end. I really liked how things were presented as dreams, and then the same scenes unfolded in real life with the main characters’ decisions changing the course of the future intentionally. Han Woo Tak, played by the handsome Jung Hae In, is the officer that originally was supposed to die if Jung Jae Chan had not decided to intervene, and he comes into the picture as a third person who has prophetic dreams, and the trio’s friendship and dynamic was definitely one of the highlights of the show! Nam Hong Joo had lived her whole life feeling alone and depressed, unable to change the tragic futures she saw in her dreams, but with her friends, she really became secure in herself and in her trust in others. Jung Jae Chan, who often felt inadequate in his job and overwhelmed and burdened by his duty and own sense of justice, also became more mature and confident as the drama progressed. Although at first he tries to absolve himself of the responsibility to prevent other bad things from happening, he cannot deny who he is, and eventually has to accept that having knowledge means he must be responsible.

Another thing I really liked was the supporting cast: Jung Jae Chan’s younger brother, the law office assistants and senior prosecutors, the investigators Jung Jae Chan worked alongside (especially Inspector Choi…OMG THIS CHARACTER AND STORY ARC!!!), Nam Hong Joo’s mother, the other reporters and police officers, the various criminals and victims of the cases that are explored, and of course the main villains. Everyone. Their personalities, motivations, and SUPPORT of the main plot was great, and I felt they were written and directed intentionally to further and enhance the main storyline. A special shoutout to the insidious villainous lawyer Lee Yoo Beom. He was a thoroughly sickening and awful person, but his character roots and motivations were very well-established. We see how seemingly small bad habits he developed as a teenager slowly grew and led him down a treacherous path of lies and deception. His tragic villainy was definitely a case of “too late to turn back”, and the Macbeth vibes were a nice touch. We could see and appreciate his internal conflict and guilt over his actions, but his pride and desire to evade consequences made him a slave to selfishness. He wasn’t a one-dimensional evil guy, and we as viewers could relate to him in the fact that we all have that instinct and temptation to protect ourselves at the expense of others, and forego justice in order to hide our own mistakes. It was deep, man.

Another thing I really enjoyed throughout the drama was that Jung Jae Chan and Nam Hong Joo’s relationship developed very organically; their friendship and romance was for sure a highlight of the drama. Even the classic “we encountered each other in childhood and meet again in adulthood” Korean drama troupe was done fantastically well and again furthered the theme of the past connecting to the future. And wow, there was one kiss scene where it was blended between a dream and reality, and the cinematography, song choice, and Lee Jong Suk’s acting were all perfection. In fact, they made use of the split scene a couple of times, and it was all handled very well!!! I loved Jung Jae Chan’s cute immature jealousy of Han Woo Tak and Nam Hong Joo’s platonic friendship, because it was very light-hearted and humourous. He never actually felt threatened, and both men loved and respected one another always, so there was no unnecessary conflict or misunderstandings. I really liked that Han Woo Tak was never vindictive or resentful of his one-sided crush; he was such a good sport!!

One last thing I want to mention is a particular element I thought was really cool!! It was the fact that their “future” selves could communicate with their past selves through their dreams, giving warnings about events or the time and location of things that were about to happen, so that when the character woke up, they knew exactly where and when a bad thing was going to happen. For example, when Nam Hong Joo found herself in immediate danger (being chased by a convicted murderer, lol), she calls out her location and the time and date out loud, so that Jung Jae Chan hears it when he is dreaming about this event before it happens. That way, he knows where to go to save her!! This plot element came back a number of times but it never felt old or over-done, because each time it was utilized really smartly and tastefully and for different purposes.

Anyways, it would take way too long to explain and gush about every single plot detail that I loved, so if you’re interested to find out how this story progresses and ends, go watch this dram!!!!!!

Thanks for reading, and happy watching!!

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(look at that precious smile tho)