“King the Land” – Korean Drama Review 32

9/10 – this is a controversial take, because it may be argued that this drama is just very fluffy, full of cliches, pretty shallow, and just a typical romcom and nothing special. AND I WOULDN’T EVEN DISAGREE WITH THOSE OPINIONS. But the amount of sheer glee and enjoyment I got from the charisma of the characters made this drama a win for me haha. It very much has Business Proposal/What’s Wrong with Secretary Kim vibes, and I was here for it. The plot is nothing new – hotel CEO’s son falls in love with hotel employee and slowly his icy heart is melted LOL. But I don’t know, the sheer chemistry of the main couple alone won over the mass of Netflix audiences across the world!!

The main pro of this drama was definitely Lee Junho as Gu Won, and Im Yoona as Cheong Sa-rang. Every second generation kpop fan from the 2000’s rejoiced at this pairing, and so did I. Honestly I was never even a huge fan of SNSD or 2PM, BUT I NOW PROUDLY DECLARE MYSELF A FAN OF LEE JUNHO AS AN ACTOR. Gu Won is basically your standard rich CEO’s son – handsome, intelligent, great at business, and has some form of childhood trauma that has made him prickly towards others. Cheong Sa-rang is your typical lovable female lead that is charming but humble, relatable but also gorgeous and super competent at her job.

Lee Junho as Gu Won really captured my eyes the whole drama. I have never seen him in his other works (although I am definitely going through a phase of familiarizing myself now LOL), and it’s not like his acting was otherworldly, and his role wasn’t a particularly difficult one. But I am always impressed when idols break into the acting sphere and are able to achieve in more than one area of entertainment.

Sidenote: I am currently watching The Red Sleeve, and now I realize I probably should have started with that and then used King the Land to recover emotionally…OH WELL. I’ve heard many people say that The Red Sleeve is Lee Junho’s masterpiece, and that King the Land is more of a gift to his fans, haha. Stay tuned for that review, potentially coming soon LOL.

Junho did a really good job of portraying the gradual transformation of his character from someone who was bitter and uncaring, into someone who could warmly and genuinely smile each day. I also really like how his work ethic improved drastically as he started to care about his hotel employees, and that was what motivated him to work hard and be successful, and turn his father’s hotel business into something that would be great for their guests and their workers.

Cheong Sa-rang as a character was perhaps a bit more one dimensional. She is portrayed very well by Yoona, but there wasn’t much in the way of development or growth, other than [SPOILER] her decisions about her career that she made near the end of the drama. She is characterized as a hard-working and very optimistic smiley person, and that is pretty constant throughout the story. However, she and Junho just had so much chemistry as he tumbled head-over-heels into the abyss that is love, that I felt like it almost didn’t matter that she stayed the same. THE WAY HE LOOKS AT HER WITH PURE AWE. That alone carried the whole drama, eff the plot, eff the dialogue, eff the side characters LOL.

I did really enjoy a lot of the supporting characters though. I loved the friendship between Cheong Sa-rang and her bffs Oh Pyung-hwa and Kang Da-eul. They were so hilarious and supportive of each other, through thick and thin, celebrating their victories together and problem-solving through any issues like a true sisterhood. Gu Won’s secretary Noh Sang-sik was also a huge source of humour throughout the drama. He was just so silly and dramatic, but he was also the one that connected the whole gang into one big happy family.

And I will say that despite all the classic Korean drama troupes that were employed, there were a few that THANKFULLY did not make an appearance. For one, the “idiotic hero” thing, where the girl/guy feels like they “have to” break up to save the other person/due to pressure from the family. Thank goodness both of them were devoted to each other the entire time and didn’t allow any external pressures get in the way, be it from family, the paparazzi, or random other obstacle. I’m also so glad there was never any huge misunderstandings between the main couple and other potential suitors, etc. Like anytime there was some “issue” they just met together and talked it out honestly and openly. There was NO DRAMA, just green flags and immaculate communication. I’ve heard some criticisms of the drama that it was kind of “not that exciting” because there were never any huge relationship-testing ordeals that the couple had to overcome, but honestly, the vast majority of such “ordeals” would be easily solved in real life with a quick conversation between the two people. And sometimes we just don’t need more stress and heartache in our lives. Sometimes we just need an adorable, warm and fuzzy drama to giggle along with and get swept up in the happy emotions of the characters.

So with all that being said, watch this drama if you want to turn off your brain and just smile. Like the King Hotel, that strived to make every guest’s experience a happy, care-free, and memorable one, King the Land was a joyful light watching experience that made a lasting impression on my heart.

“Little Women” – Korean Drama Review 31

8.5/10 – what a wild ride!! It’s been so long since I enjoyed a DRAMA where there are so many exciting twists and turns, with every episode ending with a screech-worthy cliffhanger that left me aching for more. Little Women was so entertaining!!


[MILD SPOILERS AHEAD]

From the sparse research I did, the title of the drama has almost nothing to do with the famous classic novel of the same name. I never read it, and I probably never will, lolol. I think the only similarity is that it tells the story of three sisters who live in poverty, and there is a theme of rising above class and status? Maybe? Someone fact check me. Anyways, the drama follows the story of three sisters – Oh In-joo, Oh In-kyung, and Oh In-hye, three sisters with vastly different personalities and goals, struggling to live as a lower middle-class family. The eldest, Oh In-Joo is, perhaps on paper, the least accomplished, with the least potential. She is not particularly clever, hard-working, or extraordinary, but she has a very innocent and good-natured spirit. Despite growing up poor and underprivileged, she never loses her hopes and dreams, as unrealistic as they are. And it’s possibly even because she’s not that bright and doesn’t assess the plausibility of success LOL, but her tenacity and resilience throughout the drama is very endearing. She also almost acts as the mother to her two siblings, because honestly their real mom is a piece of shit (straight up, the mom just steals the sisters’ money and gtfo’s to the Philippians to “find their father”, wtf?!).

Oh In-kyung was definitely the WORKHORSE of this drama. She is portrayed as being a very hard-working, high functioning alcoholic that is a dedicated news reporter. Throughout the drama, she drives the conspiracy plot a lot by sleuthing out a lot of the craziness going on, and never giving in or backing down. I really admired how she stayed true to her morals and didn’t allow fear or career prospects to motivate her actions. This drama very much so, had the vibes of “three against the world”, with all three sisters fighting their own battles, in a greater war that eventually all comes together.

The third and youngest sister, Oh In-hye, is a bit of a dark horse in the show for me, because I’ll be honest, for about 80% of the run time, I really couldn’t stand her. Yes, I know she’s only a high school student, and it’s basically her job to be ungrateful for her sisters’ love, but that really doesn’t excuse her being so aloof and so desperate to escape her family situation that she low-key disowns her siblings numerous times…eventually there is some redemption for her character as she grows to understand her sisters’ perspectives and sacrifices. And she did provide an important POV from a story-telling standpoint, because she by far had the closest encounters with the main antagonists of the drama and revealed their true natures (because she straight up joined their side for a large portion!! >_<) But man oh man, she was such a little twit sometimes, and definitely could have benefited from a slap every now and then, lol.

Shit hits the wall really fast in the show, as all three sisters get entangled in a huge intergenerational embezzlement and corruption scheme with a powerful war general’s family, that all starts with the mysterious “suicide” of Oh In-joo’s close friend, Hwa-young. As Oh In-joo begins trying to unravel the suspicious death, Oh In-kyung starts digging into a network of corruption and a secret society, and Oh In-hye finds herself being sucked into the world of the elite and being tempted to stay there.

The patriarch of the powerful family, Park Jae-sang, is the son of the general’s personal assistant, and Won Sang-ah is the wife and daughter of the general himself, and technically the heiress to the whole legacy. And there’s their poor hapless daughter Park Hyo-rin, whom I felt sorry for the whole time and definitely needs years of therapy to recover from growing up in with such toxic and messed up parents. Let’s just say, there’s a lot of murders and “suicides”, if you know what I mean, as well as a very mysterious orchid club that seems to be the key to it all. Where do I even begin? Park Jae-sang was definitely cold, ruthless, and calculating. But ultimately, he was still subservient to his wife, who was, honest to God, just batshit crazy. The way she was utterly unhinged and a loose cannon the whole time was terrifying, but also perfectly executed, because there was always a traceable cause and effect, even in her complete insanity. I am intentionally keeping things fairly vague, because first of all this drama really needs to be enjoyed without prior knowledge of any of the intense twists and turns, and secondly, there were just so many layers, that if I start to get into it, I will literally have to mention everything and this review will turn into a long rambling recap of the entire show. Overall, the villains in this show were superbly written, which is uncommon in many Korean dramas. They were multi-faceted, unpredictable, but operated in a context that was relatable and honestly made the audience sympathetic in some ways. After all, human nature is always capable of evil, if brought up in the “right” set of circumstances and suffering.

As much as this show was definitely a “girl power” drama, with all the main characters, good and bad, being female, there were many very strong male characters as well. Namely… CHOI DO-IL, A MAN WITH MANY RED FLAGS BUT STILL ENOUGH INTEGRITY AND GOOD LOOKS FOR US TO BELIEVE AND TRUST HIM UNCONDITIONALLY. I really liked how despite the progression of potential relationship between him and Oh In-joo, his character remained consistent with his ideals. He often acted unscrupulously, was definitely conniving and money-driven, but he was never evil or selfish. Ultimately everything he does to the very end of the show benefited himself, but he also made sure to keep those he cared about out of harm’s way. Let’s just say he was reliable, haha. He was always reliably thinking ten steps ahead for his own gain, but also always reliably there to save the day whenever Oh In-joo found herself in over her head.

One thing about this drama that really made it addicting and fun was how well the plot-twists and cliffhangers were executed. Each episode ended in a way that made me screeching for more, haha. Again, I don’t really want to get into too many details, but let’s just say, there were A LOT of instances were things were discovered, bodies were discovered, secrets were discovered, etc, that just continued to beautifully serve the plot and challenge the main characters. I would definitely recommend this drama for anyone looking for an exciting thriller that has you looking for clues, speculating wildly after each episode, and keeps your butt cheeks clenched with stress, haha. Thanks for reading, and happy watching!

“Business Proposal” – Korean Drama Review 30

Yes I am back, after a long break due to not being that intrigued by any Korean dramas that were on the docket. So that in and of itself should give an indication of how much I enjoyed Business Proposal!

9/10 – Sometimes you just need a hilarious light-hearted comedy, adorable and whacky romance, and sweet and sincere #friendshipgoals. This story hit all these notes quite perfectly, and basically had me in a grin with “heart-eyes” throughout. No toxicity, no hair-pulling drama, no heart-break. Just good vibes, y’all. And extremely delicious-looking food.

[MILD SPOILERS AHEAD]

The plot follows a hard-working and bubbly cog in the corporate wheel of Korea’s packaged food and restaurant industry, Shin Ha-ri. She is a commercial food researcher (which, side-note, it makes total sense that such a career exists, but I just never thought about it?? But yeah, I guess people need to develop recipes and formulas that taste good and are also profitable lol), and basically loves her job. Her best friend in the world is the daughter of a big conglomerate, the Marine Group, Jin Young-seo, who I also loved sooo much (more on that later). Young-seo convinces Ha-ri to be her stand-in for a blind date, where she is tasked with being a crazy and “undesirable” as possible to scare away unwanted suitors. But as it is with Korean dramas, you guessed it. Her boss, the president and heir of her company, is the blind date. LOLOL.

A lot of what made this show stand out had to do with a well-written story combined with likable characters. The story itself was nothing I hadn’t seen before. There’s a male lead who’s a chaebol, rich, somewhat arrogant, successful, and good at everything. There’s a down-to-earth female lead who is sweetly innocent and finds herself somehow entangled with the male lead. We go into the drama pretty knowing how it will end. But the journey was so enjoyable because I loved the characters so much!

Shin Ha-ri was definitely my highlight in this drama, which is really rare because I tend to find the male lead much more interesting (and also more swoon-worthy lol). She really won the audience over just as she won over our male lead. Kim Se-jeong was honestly cast perfectly!! Her smiley bright-eyed demeanor fit the character flawlessly. Ha-ri was just so tenacious and sincere, and genuine! Yes she was sweet, clumsy, and quirky, as our female leads often are, but I think what made her stand apart was that her responses to the crazy and dramatic events of the story were always so…realistic? She was definitely dramatic (in the most hilarious and heartfelt way), but the type of drama she brought to the story was never unnecessary or negative, and never created animosity between characters. Another thing I really enjoyed about Shin Ha-ri was that even though she was portrayed as a lowly office worker from a humble background, she had healthy amounts of self-confidence balanced with realistic insecurities. She was proud of her work and contributions to her company, she knew her worth, and she was bold enough to stand up for herself when needed. She had hints of the quintessential “damsel in distress” qualities, but she was never pushed around or became a doormat for others to stomp on. She exhibited a lot of meekness, which is different from weakness. She often CHOSE not to retaliate, or take vengeance, not because she couldn’t, or felt that she didn’t deserve justice, but rather because she just was not vindictive and was able to forgive and move on like the unproblematic queen she is.

Now let’s talk about our king, the president of Go Food corporation, the tall, immaculate, borderline perfect Kang Tae-moo. I grew to love his character more and more as the series progressed. While he was portrayed as being cocky and somewhat spoiled, the show did a really good job of having those characteristics simply complement his stronger traits, so that he never comes off as being snooty and unlikable. Ahn Hyo-seop gave an amazing performance that I’m sure captured the hearts of many, heh heh. He’s one of those actors I’ve never given a second thought to, but the more I watched this drama, the more I grew to appreciate his looks and level of acting. First and foremost, Kang Tae-moo is portrayed as being incredibly hard-working, task-oriented, focused, and passionate about food and bringing high-quality products to the consumer. He’s not a playboy, he doesn’t abuse his position or power, and he seems fair and responsible. Because he works so hard and is so smart, he succeeds, and as a result, is somewhat arrogant and confident. But he’s not overly-confident, if you know what I mean. Like, the man has many reasons to flex, can we really blame him? His pure focus on his work is actually what sets the story into full motion, because he decides that instead of going on the countless blind dates his grandfather sets up, he will just marry the first girl he meets, to save time and energy. And lo and behold, who could that be I wonder, lol.

The drama progresses fairly typically in the style of Korean rom-com “fake relationship turns into real relationship when both parties catches feelings”, and I loved it, lol. Like I said, nothing super unique or surprising, but the characters were just so darn cute and lovable!! I adored Tae-moo’s earnest pursuit of Ha-ri. It seemed so uncharacteristic of him, because he is shown to be a very pragmatic workaholic, but then you realize it actually fits his character perfectly. Whatever he wants to achieve in life, that goal becomes his focus and fixation, and he works his ass off with full commitment, with almost the eagerness of a child. It was honestly ridiculously wholesome, I was uwu-ing so much lol. When that man smiles at Ha-ri with such joy and appreciation, I melt. And omg the humour. Ha-ri is so whacky and Tae-moo is more stoic, but because he loves her so much, he is willing to give up his dignity, endure a lot of unceremonious second-hand embarrassment, and deal with the stresses of hiding a workplace relationship all for the sake of winning Ha-ri over. And it’s amazing, lol. I don’t know what it is about watching a very polished respectable man be put into derpy situations, but it’s just too funny to me, ahha.

I also was really relieved that there was no “guy/girl decides to be a heroic idiot and initiate a break-up for the other person’s ‘good'” troupe. I know sometimes it works, but honestly, a lot of times it feels contrived, or just there to increase the feels and drama. There was none of that here. Once the main couple was official, they committed. Family disapproval, workplace hardships, rumours, personal insecurities, they all reared their ugly heads, but none of them could make Ha-ri or Tae-moo give up on each other, which was great to see. Never once was a break-up on the table for them, and I was there for it.

I also loved the strong female-female bond between Ha-ri and her bestie, Jin Young-seo, and thank God it was not tainted by “liking the same guy” or some other kind of catty competition or misunderstanding. They stood by each other unwaveringly, were so funny together, and were total FRIENDSHIP GOALS.

Ultimately, the story itself was light-hearted and charming, if a bit predictable and having a decent number of troupes. But the characters were super lovable and charismatic, and it really strengthened the experience for me. My only regret is that I watched this before I started Twenty-five Twenty-one…THIS WOULD HAVE BEEN THE PERFECT REMEDY FOR THE PAIN.

Anyways, thanks for reading, and happy watching!!

Squid Game – Korean Drama Review 29

9/10: Yes, I boarded the hype train. And YES, I finally boarded it on time, when internet memes and discussion abound! I don’t think I’ve been this early to anything since “Goblin: The Great and Lonely God”, lmao. This 9 episode series was about 8.5 hours of gore-y social commentary that truly psychologically tormented me lol. In the best way possible. I can say with reasonable confidence that Squid Game lives up to the hype!!


[HEAVY SPOILERS]

Disclaimer: I really don’t know how to talk about my thoughts about this drama without also going through some of the major plot points, so I know this is going to be super long and probably disorganized. My apologies!!

Squid Game follows the story of Seong Gi-hun, a man who has fallen on hard times and has become almost your quintessential “dead beat” – divorced, bad father that can’t do right by his daughter, financially ruined, in a ton of debt to creditors and loan sharks, and hedging his bets on horse races with whatever cash he has left. One day, he is approached by a mysterious man who asks him if he will play a game for money. I LOVED Gong Yoo’s cameo. His lovable and familiar face was now symbolic of the sinister turn that this show would take. Unable to refuse gambling some slaps in the face for a chance to win money, the pair play ddakji, a very popular children’s game, and after getting slapped around and then finally winning one round, Gi-hun is invited to participate in a 6-game competition for the chance to win a LOT more money. Of course, the audience can anticipate that the stakes will be much higher than simply getting slapped in the face. He accepts the invitation, and is basically “squid-napped” in the dead of night, waking up to find himself in a freaky death camp-looking place. All the players are wearing green numbered tracksuits, from 001 to Gi-hun, who is number 456. Essentially, their names and identities have been stripped, which is a huge red flag. He’s in a room full of people who like him, have nothing to lose, and are desperate to win. It is quite clear that no one knows what the fudge is going on, but they all follow the instructions given by guards who are wearing red body suits and fencing masks with a circle, triangle, or square, harkening back to “the squid game”, a childhood game that was introduced at the beginning of the show. And above them all, there is another mysterious masked man who wears all black, and is referred to as the “front man”. All the players sign a contract that has only three clauses: 1. no player is allowed to stop playing; 2. any player who refuses to play will be eliminated; and 3. the games can be terminated if the majority agrees to end it.

It is very quickly established by the first game, “red light, green light”, that when the rules say players “will be eliminated”, it means YOU GET SHOT. Every game is a dark twisted iteration of a popular kids’ game, making the whole thing even more disturbing. The “light-hearted” games are juxtaposed with all the death and terror experienced by the players. After the first game, more than half of the participants were killed, and the remaining players took a vote to end the games. Before the voting begins, the prize money amount is revealed, being a staggering 45.6 billion won total (around 39 million USD), with each player being worth 100 million won (around 84,000 USD)…these people are convinced that they are literally worth more dead than alive. The thought of winning such an amount actually convinces many players to want to keep playing. The final deciding vote is cast by player 001, an extremely old man who told Gi-hun that he was dying of a brain tumour. Gi-hun chooses to end the game, making that the majority rule, and everyone is thrust back into their old lives. Interestingly, this second episode was called “hell”. As brutal and horrifying the Squid Games were, the struggle of existence for those in financial need is basically a slower, more arduous hell on earth. One of the characters aptly stated that in the real world, he doesn’t stand a chance, but within the games, maybe he could even win. By the end of episode 2, everyone voluntarily chooses to return to the Squid Games, now knowing the stakes. They decide to hedge their bets, to win big, or die trying. This really highlights what I believe is the biggest tragedy of the show. Pride tells these people that they could win, and shame tells them that this is all they are worth. That the best they can do is to go down into a pit to fight and claw at each other and willingly give up their humanity to survive.

By this time, the audience gets to know a few of the other characters that Gi-hun starts to befriend. There is a North Korean defector named Kang Sae-byeok (no. 067), who is a clever but cold young woman who needs the prize money to regain custody of her younger brother and sponsor her mother out of North Korea. She is strong, resourceful, and definitely one of my favourite characters. Then there is Cho Sang-woo (no. 218), who was actually on of Gi-hun’s best childhood friends. He was successful early in life, graduating from Seoul National University with a business degree, but ended up committing a lot of financial crimes and losing everything. In the beginning he seemed to be a trustworthy and smart ally, but slowly we see how calculating and unscrupulous he can be. He isn’t entirely evil, but desperation and selfishness bring out the worst in him, and he is willing to do whatever it takes to win. It makes sense, because even before the Squid Games, he took advantage of people for personal gain through fraud and embezzlement. Then there is Ali Abdul (no.199), a very gentle and kind man from Pakistan who was cheated of his wages by a corrupt employer. Ali was such a cinnamon roll!! He was so innocent and trusting and selfless, and saved other players and teammates multiple times throughout the games. Finally there is Oh Il-nam (no. 001), the old man Gi-hun becomes familiar with early on. He seems to be slowly degenerating mentally, but his wisdom and experience, and seemingly lack of fear of death, are his greatest assets.

A very intriguing side-plot that is explored throughout the series follows a police detective named Hwang Jun-ho, who begins to suspect that his older brother may have been kidnapped into the squid games as well, after hearing Gi-hun’s frantic account trying to file a police report after being released. Jun-ho tails Gi-hun when he is taken by the masked red men again, and he manages to infiltrate into the facility by killing one of the workers and putting on the suit and mask. Jun-ho discovers that his brother had indeed been drafted into the squid games, and that he had actually won in 2015! But where was he now? It is also made known that turns out anonymous “VIPs” were the ones behind it all. These atrociously wealthy individuals were watching the squid games and betting on players!!! It is 100% a more elaborate and sadly, more realistic version of the hunger games. But in this case, the players are completely unaware that they are being treated like animals. Just as Gi-hun bet on race horses for fun and entertainment, these high class folks abused the poor and disadvantaged for their own amusement. Before Jun-ho could blow the lid off everything and have it shut down, however, he is discovered, and chased down by the front man, a differently masked person who seemed to be the head manager of the games. And it is there we find out…the front man is Jun-ho’s older brother!!! WTF. So many questions. Jun-ho unfortunately is shot by his brother, and falls off a cliff into the ocean below. The audience is left wondering whether he is dead or alive. He “died” off-screen, and the law of Korean dramas dictates that until a body is seen, ANYONE COULD STILL BE ALIVE. So I’m holding out hope that if there is a season 2, that he will return…he was honestly such a boss character. Busting into this effing crazy situation with no prior knowledge, and getting as far as he did. Amazing, I stan.

The second game is also another one any Korean would find familiar. It involves cutting a shape out of a flat piece of dalgona honeycomb – either a triangle, star, circle, or umbrella. No one knows what shape they’ll get (except one man, who turns out to be a doctor that is forced into a black market organ selling sub-plot LOL), so whoever gets stuck with the hardest shape, the umbrella, most likely will fail the game and be immediately executed. Sang-woo’s greed and instinct for self-preservation starts to harden his heart. Prior to the game, he had a hunch as to what the task would be based on Sae-byeok telling him she smelled the workers melting sugar. He also observed that the doctor character seemed to have insider information, since he rushes to the triangle right away, so he follows him and chooses the triangle shape as well. Sang-woo does not to share his knowledge with any other player, not even his friend. In fact, he goes so far as to tell everyone to split up, because then there’s less likelihood they will be facing the same problem, and therefore won’t be able to help each other. He essentially wants to get others eliminated to increase his own odds of winning. The guy is cold-blooded as hell I tell you. And just Gi-hun’s luck, he unfortunately chooses the umbrella, but manages to win the game with just seconds remaining, by licking the back of the dalgona to dissolve the sugar and make cutting out the shape easier. All the games involve a sickening amount of psychological manipulation, and the stress and anxiety of the time-sensitive situation made most of the players fixate on using a needle to cut out the shapes, because it was provided to them. However, there was no rule stated that they could ONLY use the needle. So Gi-hun using his saliva was actually a very clever tactic.

Not surprisingly at this point, a lot of characters have become the worst versions of themselves in the games. It was truly sad and horrifying to see some people so willing and almost delighted to kill and stomp on others in their desperation to escape death and win. After the second game, lunch is served, but the players are purposefully fed less food to create dissention and increase desperation. Some thugs realize that the more people they could get rid of, the higher their chances would be of winning during each game. This encourages a fight to break out during bedtime, which was actually what the game coordinators wanted all along, in order to weed out the weaker players. With no rules or control, the players fall into complete chaos, people killing each other left and right behind a strobe-lit background. Ultimately, the Squid Games did not create monsters, it only revealed what every human can choose to be capable of, if the conditions are right. When a person loses control, self-respect, and feels utterly cornered, he or she may embrace their darkest animalistic instincts to survive.

The third game was tug-o-war. The remaining 80 players are told to form teams of ten, and play deadly tug-of-war on very high platforms, with the losing team falling over the edge and plunging to their deaths. One of the main forms of torture of this show was that the players are not given any information about the games until they get into the playing room. They are told to pick teams, but based on what? They don’t know! Gi-hun and Sang-woo end up on a team with mostly outcasts; the old man player 001, as well as several women including Sae-byeok and another young girl named Ji-yeong. This puts them at a strong disadvantage for tug-o-war, but thankfully 001 seemed to have a lot of experience and knowledge of many of theses childhood games, and his strategies, along with the help of a cheap shot move by Sang-woo (he told the team to take three steps forward so that the other team loses their balance and falls), enables their team to win. Is anyone surprised that Sang-woo once again uses some under-handed means to win? But not gonna lie though, those strategies were all s-tier, and I will definitely use them too if I ever get caught up in a tug-o-war game to the death.

The fourth game was marbles. The remaining players were told to pick a partner to play with. However, unbeknownst to them, the partners will actually be competing against one another. They are instructed to play any marble game they want to gain marbles from each other, and whoever ends up with all of the other player’s marbles wins. of course, whoever loses all their marbles, loses their lives as well. This game was definitely the most heart-wrenching for me. The friendships and teams that had been established through the first three games, were now torn apart very cruelly as the players were forced to pick a winner and loser between them. Gi-hun and Il-nam spent a majority of the game time wandering the playground, which was set-up to look like an old hometown neighbourhood. Il-nam appeared to be losing more than just his physical marbles, the man seemed to be hallucinating about the days of his youth, much to Gi-hun’s frustration. Out of desperation, Gi-hun takes advantage of Il-nam’s confused state and cheats at the game to win all the marbles except one. Il-nam reveals that he was actually aware of Gi-hun’s cheating. Gi-hun is ashamed as Il-nam continues to call him “gganbu” (meaning ride or die friend), and gives him his final marble, allowing Gi-hun to win and move on to the next round. Sang-woo and Ali had chosen each other to be partners, but after Ali wins the marbles fair and square, Sang-woo convinces him that there was a way they could both win. Ali trusts him, but Sang-woo ends up stealing all the marbles and claiming victory. In his final moments, Ali realizes that he had been betrayed, and the look of utter defeat and sadness and disappointment was truly heart-breaking. To the very end, Ali was not angry or vindictive. HE WAS SUCH AN MVP I CAN’T EVEN. I definitely cried a bit when he died. Sae-byeok partnered up with another young woman named Ji-yeong, who had gone to prison for killing her abusive father. The two had slowly developed a mutual understanding throughout the games and had grown to trust and rely on each other. Faced with the reality of one of them having to die, Ji-yeong suggests they just talk for a while, and then play one decisive round when time is almost up. They share a very touching conversation about their pasts and future goals. When it’s time to play, Ji-yeong loses on purpose, wanting Sae-byeok to win. Enraged, Sae-byeok tries to convince Ji-yeong to stop messing around a play for real, but Ji-yeong simply states that she realized she didn’t know what she would even do with the money if she won, nothing came to mind at all. Ji-yeong makes Sae-byeok promise to live her life to the fullest, and thanks her for playing with her. Sae-byeok is completely wrecked and broken as she stumbles out of the play area, unable to look back as Ji-yeong gets shot behind her.

The fifth game is a horrifying game of hopscotch, taking place on a high platform that forces the players to jump onto panes of glass. Some are made of normal glass that cannot hold the weight of even one person, and some of made of tempered glass, that can hold the weight of two people. Before they know the game, the players choose the order in which they will play, and then one by one, they try to jump their way from one side of the platform to the other. Obviously the majority of the players fall to their deaths. The psychological torture of choosing a number, as well as the game itself, really made this episode one of the most painful for me. Players would push each other, or refuse to move until others agreed to move in front, etc. It was simply brutal to watch. The most shocking moment though, was when Sang-woo pushes one of the players in front him to get to the final safe pane. It is very apparent that Sang-woo has almost entirely lost his humanity, feeling justified to do whatever he needs to do in order to win. Only Gi-hun, Sang-woo, and Sae-byeok survive this round, but Sae-byeok is critically wounded by a ricocheting glass shard. She makes them promise each other that whoever survives must take care of the other person’s loved ones. This scene was so infuriating and tragic. My girl got sidelined by a piece of glass??? Sae-byeok was such a strong player and character, and it was great to see her development from a cold and closed off person, into someone who learned to trust others. She and Gi-hun truly bonded, and helped keep each other centred. Gi-hun actually considered killing Sang-woo after he realized how unhinged and bloodthirsty he had become, but Sae-byeok stopped him, reminding him that this kind of person was not who he was. When Gi-hun leaves her side for only a few seconds to call for medical help, she ends up being killed by Sang-woo, stabbed in the neck by a steak knife. The final deterioration of Sang-woo’s morality was highlighted by the horrible tragedy of Sae-byeok’s death, and shows the fundamental differences between Gi-hun and Sang-woo.

The sixth and final game was the infamous squid game. I’m still not entirely sure of all the rules, but it seemed like a combination of tag, four corners, and just tussling lol. Gi-hun and Sang-woo literally engage in a fight to the death, with Gi-hun finally coming out victorious. Once Gi-hun crosses the finish line, Sang-woo will be killed and he will get the prize money. However, at the last second, Gi-hun decides that there is way they can both survive: if the two of them both agree to terminate the games, then clause three would come into affect and they could be free. Ultimately, Gi-hun’s desire to maintain his humanity, and to save his friend’s life, was more important to him than the prize money, even though he was literally so close. Sang-woo realizes what a monster he had become, and after apologizing to Gi-hun, he stabs himself in the neck, rejecting Gi-hun’s pleas for them to both let go of this terrible dream. For Sang-woo, he already had his heart set on “go big or go home”, and the thought of living through this with “nothing” to show for it, was worse than death. Indeed, in episode two when they were all returned to their normal lives, Sang-woo actually was in the middle of committing suicide before he was given a second chance at the squid games.

Gi-hun is the winner of the Squid games, but he is literally scarred for life. He is dumped back into the city with a debit card that gives him access to his prize money, about 47 billion won. He returns home to discover that his mother passed away while he was gone, alone and probably sad and desperate for her son. Gi-hun was fighting to the death for money for his family, but he ended up losing the few people who were precious to him. One year later, we fine Gi-hun living exactly like he had before. He hasn’t touched the prize money at all. He is depressed, empty, and a shell of a person. Until he gets a card that looks suspiciously like the Squid game business card he was given in the beginning. On the back of the card is a time, date and address, and is signed, “your gganbu”. And then we are presented with the biggest plot twist of the series…THE OLD MAN, PLAYER 001, WAS THE MASTERMIND BEHIND THE SQUID GAMES ALL ALONG. Gi-hun, like the audience, is at a complete loss for words. No cap I was literally shrieking. In hindsight and upon re-watching, we can see that there were multiple clues that pointed to Il-nam being the head of this circus. One subtle clue was that during the “red light, green light” game, he was the only player who wasn’t scanned for movement, because he was never at risk of being shot. He also moved forward very confidently, with no fear at all. During the dalgona sugar candy cut-out game, he chose the star shape, which has short straight lines and is arguably easier to cut out than some of the other shapes. During the tug-of-war game, his strategies and wisdom was what enabled his team to beat the odds and win against tougher and stronger individuals. And finally, he was supposedly killed during the marble game against Gi-hun, but the audience never sees him get shot, nor do we see his body afterwards. Also, although it appeared that he was losing his mind and awareness during that game, which allowed Gi-hun to trick him into losing marbles, he voluntarily gave his last marble to Gi-hun, saying “you win”, showing that he was in control, and also foreshadowing that Gi-hun would actually go on to win the entire game. It also makes sense that Il-nam would dip out before the glass pane hopscotch game, because that game is a lot less predictable, with people pushing each other, or getting frantic and potentially endangering him. Throughout the games, it was clear that Il-nam was super familiar with all these nostalgic childhood games, and after it is revealed that it was actually his playground, it totally makes sense that he would model the squid games after his own experiences and good memories. His player number, 001, also hints at the fact that he’s “number 1”, in control and just there for the shits and giggles. In episode 2, when Il-nam casts the deciding vote that allows everyone to go home, even that it is done intentionally. It’s not fun to play with reluctant people. He wanted everyone to voluntarily decide to return and play with him. It’s actually sick, lol. Anyways, despite all these clues, I WAS STILL NOT PREPARED FOR THIS REVEAL.

Utterly flabbergasted, Gi-hun demands an explanation. Oh Il-nam wasn’t lying when he told Gi-hun that he had a brain tumour, because the man is clearly on his death bed during this meeting. With his dying breaths, Il-nam explains that one thing that poor people and rich people have in common, is that life is boring. And so, after he had become unbelievably wealthy, he and his small group of elites (the VIPs) created the squid games as way to entertain themselves. He also reveals that the reason he decided to participate himself this time, was simply because it would be more fun, that playing the games would allow him to “feel something again”, more so than merely spectating. Il-nam’s philosophy is that all humans are completely evil and depraved, and so there is nothing wrong with treating them like animals and using their suffering for his own enjoyment. This final encounter with Il-nam is what finally shakes Gi-hun into action. He realizes that he can actually help people and change their lives with his wealth, rather than doing nothing, or entering back into the cycle of depravity. He rescues Sae-byeok’s younger brother from the orphanage, and puts him under the care of Sang-woo’s mother. He also gifts them with a suitcase of straight cash, leaving a note saying it is the money he owed Sang-woo.

One significant thing Gi-hun chooses to do is to dye his hair a bright red. Throughout the show, the green tracksuits of players signifies submission, being enslaved, being a cog in the wheel of this immoral machine called life. Red, on the other hand, was what all the workers and guards were wearing, and signifies authority and power. Gi-hun’s decision to dye his hair red could be a way to show that he is now in the power seat, and that he wants to call the shots from now on. But unlike the red suited masked men in the squid games, Gi-hun chooses not to abandon the weak, but instead he will fight for them. This is made very clear when he encounters the mysterious “train man” from episode one (aka Gong Yoo WOOOOO) playing ddakji with a random guy in the subway again, when he was on his way to the airport to visit his daughter in America. The two men make eye contact, and Gong Yoo slowly smiles in a very innocent but sinister way. Gi-hun is unable to catch him, but does manage to take the squid game business card away from the poor unsuspecting fool that Gong Yoo was bullying, lol. Gi-hun calls the number on the back of the card, and is greeted once again with a voice asking him if he would like to participate in a game. Gi-hun demands to know who the person on the other side is, and that the games be stopped. It is the front man who responds, telling him to just get on the plane, that this would be better for everyone. In the final scene, Gi-hun hangs up, and turns away from boarding the plane, and with a look of determination and resolve, begins to walk back.

WHAT A WILD RIDE. This is the first drama review where I really felt like I had to give a full summary of the story so that my thoughts and commentaries could be digested with more context. I’ve seen so many theories circulating about Squid Game, and it’s just been so fun reading all of them and having my mind blown again. This is definitely not a drama for the faint of heart of weak of stomach, but it was such a deep and rewarding journey. It made me reflect on the human condition, and how desperately flawed we all are. I would highly recommend it to anyone who enjoys a more thriller/horror genre of Korean drama! Thanks for reading, and happy watching!!

My Mister – Korean Drama Review 28

8/10: I am not usually the type to sit through a slow, depressing slice-of-life drama, simply because I have a short attention span, hahaha, but this drama really lived up to the high praise I’ve heard about it. It’s a slow burning drama that is unassuming, muted, and quietly tragic, but like the protagonists Lee Ji-an and Park Dong-hoon, it has a really beautiful story to tell, a story of the complexity of family, the necessity of friendships, and the resilience of the human spirit.


IU really blew it out of the park with this one. Her performance as Lee Ji-an was so realistic and subtle, and she truly disappeared behind her character. When she was on-screen, I didn’t see the lively and charismatic mega-celebrity IU. I saw Lee Ji-an, a young woman who was beaten down by the world so many times that she perpetually held a downward gaze, rarely spoke, and basically just kept putting one foot in front of the other because her body stayed alive. She was the definition of a dead woman walking. As a child, she became the inheritor of a ton of debt from her father, and was chased by loan sharks her entire life. Eventually, she ends up killing the loan shark because he beat her deaf grandmother, The loan shark’s son, Lee Kwang-il, continues his father’s work and stalks and harasses Ji-an to collect her debt and to abuse her out of spite and vengeance. Ji-an ends up taking a temporary work position at an architectural company, where she meets Park Dong-hoon.

Park Dong-hoon is the “ajeossi” mentioned in the title of the drama, and wow, he is actually a gem of a human being. Patient, kind, and enduring, he is the one of three brothers to actually secure stable employment, has a wife who is a lawyer, and one young son whom they were able to send to the United States for school. On the surface he is a quiet and reserved man who succeeded in life by being hard-working and considerate. But in reality, Dong-hoon is empty inside. He and his wife continue to become distant, and his obligation to support his unemployed older and younger brothers and his elderly mother, weigh on him and bring him a lot of pressure. At work, while he enjoys being a general manager at the architectural company, his easy-going and quiet demeanor makes him an easy target for the CEO and his subordinates. The CEO in question, Do Joon-young, knows Park Doon-hoon from university, and it’s a classic example of how bullies are the victims of bullying, too. Do Joon-young is younger than a lot of the people working under him, including Doon-hoon, so he is constantly on guard against those who may wish to oppose him, or resent him for disrupting the cultural hierarchy that Korea takes very seriously. That pressure and negativity transfers to him lashing out against people he finds threatening, namely, Doon-hoon, because unlike Joon-young, Doon-hoon is well-loved by his co-workers and is in the perfect position to be promoted soon. The irony is that Doon-hoon is not competitive or super ambitious at all, and if Joon-young just treated everyone nicer and didn’t project so much unnecessary hate and insecurity, they probably would have been able to work together just fine in higher-ranking positions.

But alas, without conflict there would be no story. Do Joon-young has an affair with Doon-hoon’s wife, Kang Yoon-hee, and although it’s never explicitly stated, it’s clear that he does it not because he loves Yoon-hee, but because he hates Dong-hoon. Seeing a weakness in their marriage, he takes advantage of Yoon-hee, who is burdened with caring for Dong-hoon’s poorer family, and is brushed to the side as the middle son’s wife. Although there is no way I could ever condone her behaviour, I guess I can understand how being second fiddle to your husband’s family for x number of years could cause a person to turn to other people for love and validation. To make matters even more spicy, Lee Ji-an was actually placed in the company by Joon-young (with the promise of money to help her pay off her debts), to spy on Dong-hoon and sabotage him so that he can get fired. Amidst all this, Ji-an and Dong-hoon slowly get to know each other and actually reach an unspoken mutual agreement to be friends. And it’s not hard to see how a conflict of interest emerges there, lolol.

Ji-an wire taps Dong-hoon’s phone very early on, in order to keep tabs on him and report back to Joon-young, but ironically, it is this window into his life that slowly endears him to Ji-an. She listens to his interactions with his family, his colleagues, and friends, and it becomes very clear that he is a super kind man. He gives people the benefit of the doubt, and stands up for Ji-an, since she does not speak up for herself. When Dong-hoon finds out that his wife was cheating on him with his boss, it is heart-breaking to see Ji-an mourn and cry with him as he tries to keep things together for the sake of his son and rest of his family.

Kdrama ~ My Mister uploaded by Nina Levine Zachary

I would definitely say that the show did a great job of keeping their relationship ambiguous and in the grey zone. Ji-an confesses to Dong-hoon multiple times but knows herself that he has way too much integrity to like her back, and Dong-hoon is consistent in treating her like a cherished friend, younger sister, and even sort of a daughter figure. I think this was the right call. I’m not against larger age gap relationships, but Ji-an is supposed to be 20-21 years old, and Dong-hoon is in his 40’s. So yeah, that would definitely be pushing it, lol.

(As a sidenote, I admired Dong-hoon so much for the way he handled the affair. He was shocked and angry of course, but he never retaliated out of rage, or vowed revenge against his wife. Instead, he still considered her well-being, and was willing to endure the pain of such a betrayal. Thankfully, his wife feels the full brunt of guilt and remorse that she ought to, after having done something so unforgiveable. Her character definitely became more likeable as the drama went on, and I was glad that she took responsibility for her actions and accepted the consequences. She tries to do what she can to make amends, and even though by the end of the drama their marriage isn’t just miraculously right as rain again, it seemed that both of them still cared about each other and were committed to working through the scars together.)

Ji-an’s motivation begins to change, and she becomes someone who wants to protect Dong-hoon and wants him to be happy. Ji-an says herself that he is the first person to be nice to her more than 4 times, and she starts to truly love him. Similarly, Dong-hoon sees Ji-an as someone who has so much potential, but just has never been given the opportunity to thrive and experience joy. He finds out about her very elderly grandmother, as well as her debt and past crime, and he does everything he can to help. One of the most powerful scenes in the show was when Dong-hoon confronts Kwang-il for continuing to harass Ji-an for money, and the two men end up getting into a full-on fistfight. Because Dong-hoon is such a quiet, non-violent person, to see him completely lose it and display such righteous anger on Ji-an’s behalf was a great display of character development. Dong-hoon was becoming someone who would stand up for himself and others, and fight for what’s right rather than passively let life take its toll. And of course, Ji-an could hear the whole encounter via her wire tap, and just seeing her cry so pitifully as she listened to the person she loved fight for her, it was honestly beautiful. As someone who was not loved and not supported, it changes everything to know that there were people who cared about her.

As a last note, I thought one of the most powerful moments in the show was actually one that didn’t involve the two main characters. It involved Kwang-il, the loan shark, who throughout the show was portrayed as a violent, abusive man that hated Ji-an for killing his father. We find out, however, that he actually knew Ji-an from childhood, and even protected her from abuse from his father. He often shielded her and took the blows instead, and obviously had a crush on her. So when Ji-an killed his father, it was heart-shattering, and the only way he could reconcile things was to maintain this sort of abusive love-hate relationship. Anyways, circumstances arose which allowed him to steal all the recordings Ji-an had of Dong-hoon’s wire taps, and he began listening to all of their conversations. During one exchange, Dong-hoon questions Ji-an about Kwang-il, and she replies that he wasn’t always so hurtful and full of rage, and that she remembers a time when he was kind. Kwang-il is cut to the core, and in the end, decides to send all the recordings to Dong-hoon so that it can be used to reveal all the corruption and scheming surrounding Do Joon-young. He chooses to let go of his resentment, and does one final act of kindness towards Ji-an, and the person she cares about. It was quite heart-breaking, honestly, because he had filled his heart with this resentment and desire for revenge for so long, that once he let go of it, he was empty…he wandered the streets afterwards, crying with what was probably regret.

GIF] The Goodbye Hug | My Ahjussi / My Mister Fan Site

The ending of the drama was very heart-warming. Ji-an started to let people in, and became willing to form connections with people. She started to smile more, talk more, and appreciate existence. She gained ambitions to do well, and to live, not just survive. Dong-hoon became more confident in himself, staying true to being the kind man he always was, but no longer feeling suffocated by life’s obligations. I would definitely recommend this drama for anyone who enjoys a heavier slice of life, and who wants to go for an emotional roller coaster that leaves you feeling hopeful in a bittersweet way.

Thanks for reading, and happy watching!!

Start-Up – Korean Drama Review 23

7.9/10 – Let me just say that I did enjoy this drama quite a lot, and the first half was definitely fun and refreshing and heart-felt. The second half exposed some weaknesses and flaws that had been waiting in the wings, and I think it was mainly just a writing issue overall. All the actors gave great performances, and the story, while fairly predictable and nothing extraordinary, was able to create the feels and get a heartfelt, optimistic message across.

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The plot blends the world of start-up businesses and the messy and difficult journey of career-building, with a pretty hilarious (but also tragic, in my opinion) romance. Suzy is back with another drama since Vagabond, and her character, Set Dal-mi, is a very earnest, resilient, pure-hearted girl looking to move up in the world of business and start her own company. Her childhood was pretty rough (mom and sister abandoning her and her dad for money, dad dying of a PREVENTABLE CONCUSSION, etc), and one thing that got her through those dark times were special letters from her penpal, Nam Do-san…Except these letters were actually written by a boy named Han Ji-pyeong, who also was going through a terrible childhood – orphaned, no home, no money, ends up being pesudo-raised by Dal-mi’s ANGEL GRANDMOTHER. Dal-mi’s grandma asked him to write letters to Dal-mi to help her feel better, and he obliges. Seems like such a harmless small act of mercy…alas LOL. This is why lying is sin lmaooo. But it’s a drama, so it is what it is haha. When circumstances arise 15 years later that cause Dal-mi to want to find the boy from her letters, Granny and Ji-pyeong have find the real Nam Do-san first so that they can bring him up to speed and keep up the ruse, and honestly it was super entertaining to see these two men slowly falling for Dal-mi for real, but also develop a hilarious bromance/frenemy relationship. One of the strongest aspects of this drama is that the love triangle is not epically skewed towards the “main male lead”. One is the boy from Dal-mi’s past who was originally only invested because he cares for her grandmother; and one is a stranger who realizes he actually does want to be the boy from the letters to see her smile.

One thing I really enjoyed about this drama was that it exuded so much hope. All the characters at one point or another, are faced with daunting odds, whether in their personal lives, or in the highly competitive world of tech start-ups. But you see the resiliency humans, how they are able to keep pushing on and are able to see positivity and opportunity in everything. It really warmed my heart to watch the characters celebrate hard-won victories, and build one another up and work together towards common goals. The Samsan Tech boys, Do-san, Chul-san, and Yong-san, were such a cute trio, three nerdy friends coding away in their dingy apartment, so full of hope and optimism. Dal-mi, a bright energetic girl with enough motivation and passion to keep a smile on her face. There was so much innocence and sincerity in their excitement and work ethic, and I really admired that. And I’ll just say, all the actors did fantastic jobs portraying their characters. Not just line delivery, but the more subtle aspects like facial expressions, body language, etc, I was fully captivated because the characters all came alive through their work!! Kim Seon-ho and Nam Joo-hyuk as Ji-pyeong and Do-san respectively, gave truly flawless performances. which is why I grew to love and appreciate both of them so much more. Suzy has always been a solid actress in my eyes (I don’t understand the haters who have been bashing her since Dream High…), but in this drama she definitely shone as Dal-mi, it was a perfect casting choice in my opinion!

Another strong point of the drama is the love triangle…but what I mean by that is that it was truly excruciating. As in, for the first half, YOU LITERALLY ARE ROOTING FOR BOTH GUYS because they are both so sweet!! Who does one pick?? Soft boy cutie Nam Do-san, or the second male lead, aka good boy Han Ji-pyeong? He’s called a “good boy” by the grandmother throughout the drama because LITERALLY HE IS. Even though he tries so hard to be cold and look out only for himself, he actually has the most integrity of them all, and his character is so consistently GOOD, that it actually becomes problematic for the show. The reason is this: by the end of episode one, the audience has been given 15 years worth of context for Dal-mi and Ji-pyeong, and we see how the back and forth exchange of letters between these two young people brought comfort and solace. And then BAM, the real Nam Do-san, who was just a name Ji-pyeong and Angel grandma borrowed from a newspaper article, comes into the story as the main male lead.

I think the term “double-edged sword” is extremely applicable here. The best parts of the drama were created by a great love triangle and sympathy for THE GOODEST BOY HAN JI-PYEONG, but this also created somewhat of a downfall for the whole show because HIS CHARACTER WAS JUST TOO STRONG. By the conclusion, the story left me crying out that he deserved way better, which isn’t a good thing for a show that wants the audience to be primarily invested in rooting for Dal-mi and Do-san’s relationship. And it’s actually a pity, because on his own, Do-san really is a pretty good character. He is a literal math and computer coding genius, cute and dorky, with very poor social skills and some self-esteem issues. He’s shy and unsure of his dreams, and Dal-mi is the one that introduces him to what it means to be passionate and to have ambition. Throughout the drama, he grows a lot, and if you observe him in isolation, he really does come far in terms of character development. Throughout the first half of the drama, I was super torn about who I liked more. Do-san was just so soft, and it was crushing whenever he was reminded that he wasn’t the man Dal-mi thought he was, and his feelings of being inadequate were so relatable and sad.

THE PROBLEM IS, the story is still relationship driven, and on that front, Ji-pyeong is the clear winner in my eyes. Although Do-san had some very sweet moments with Dal-mi, his character was driven by either recklessness or emotions a lot of the time. He operates with a very idealistic mindset, which made him very soft and sweet for sure, but sometimes it led him to do regrettable and/or downright idiotic things. On the other hand, Ji-pyeong was much more mature, level-headed, and selfless to the point where it was just unfair. If love is sacrifice, then he truly sacrificed the most for those he loved. In the end, he even sacrifices his feelings for Dal-mi and desire for a relationship and concedes to Do-san. Every time he denied that he was a good person, or tried to convince himself and others that he was just a cold businessman who uses harsh words to hurt people, I cried. It was really heart-breaking because I guess as an orphan he had grown to accept that he had be alone, and so in order to make it easier, he felt like he needed to be prickly and push people away before they left voluntarily. He also had so much integrity that he couldn’t bring himself to fight or play dirty, so he put others before himself at his own expense. Definitely one of his biggest charms is that he takes care of the people he loves, BUT IN SECRET. Every funny moment in the show where Ji-pyeong helps Do-san pretend to be the boy from his letters, teaching him how to talk to Dal-mi, letting him use his apartment and borrow his suits so that Do-san can look the part…it was always accompanied by some sadness because Ji-pyeong was hindering his own chances with Dal-mi…and honestly those scenes are all so hilarious, but also hard to watch. The way Ji-pyeong fell in love with Dal-mi is very well-done. You see his motivations slowly change from just wanting to help the grandmother, to wanting to keep Dal-mi’s dream of Do-san alive, to wanting Dal-mi to be successful and happy, to wanting to be the one who is there to protect her. Even when he accepts his feelings and confesses to Dal-mi, he doesn’t make a move or resent her for continuing to choose Do-san…because he is JUST TOO GOOD. He hides his emotions so that Dal-mi won’t feel uncomfortable or pressured, and then just goes into a corner by himself to weep. LIKE WTF THAT’S SO SAD. The show made the audience too sympathetic towards Ji-pyeong, and ultimately that undermined Dal-mi and Do-san’s bond as well. The only thing that made it somewhat better was the relationship between Dal-mi’s grandmother and Ji-pyeong. Those two had such a beautiful family dynamic, and every time they had heartfelt interactions or conversations, I cried about as hard as they were, which was always quite hard. When the grandmother urges Ji-pyeong to visit her a lot and stop accepting loneliness, I was like MY HEARTU…

THERE WERE SO MANY HEART-BREAKING HAN JI-PYEONG MOMENTS, I COULD WRITE A WHOLE OTHER POST ABOUT THEM. But in case you don’t care, I’ll spare you, haha.

That being said, I do think the progression of the love triangle, and how the truth behind the letters was revealed, was done really well! It was realistic, not overly drawn out, and just suspenseful enough to keep the audience stressed for a good amount of time haha. The weakest point of this drama was probably the completely unnecessary 3 year time skip. I say unnecessary because literally NOTHING CHANGED, not even people’s hairstyles lol. I think another reason why I didn’t wholly buy Do-san and Dal-mi was because AFTER THREE YEARS OF SEPARATION, they never discussed their true feelings or verbalize clearly how they felt about each other. They said cryptic, poetic metaphors that reflected their feelings, but never once did either of them say, “I love you”, or “forgive me”, or “please take me back”. lol. Even the reason they “got back together” was actually initiated by Dal-mi being forced to hire Do-san to her company. Which is like…what. lol.

ANyWays, lol. Overall this drama was very enjoyable and entertaining. Some of the plot points were a bit contrived, and some of the side character stories had little impact or relevance, but the story was fun, heart-warming, and the ending was about as satisfying as it could be, considering I am on team HJP. I think the last episode wrapped everything up nicely, and it DID allow me to accept Do-san and Dal-mi and shed a single tear for Ji-pyeong, haha. I liked that even to the end, it was Ji-pyeong that verbalized to Dal-mi (and the audience) why Do-san should be accepted. He said something along the lines of “I wrote letters to you for 15 years but didn’t try to find you. Do-san read the letters once and immediately went to you”. That is true for sure, and I loved that Ji-pyeong was mature and honest enough to acknowledge it. Since Ji-pyeong so graciously accepted his place in the drama, I guess so will I LOL. Give this drama a try if you like romantic comedies that also sometimes make you ugly cry xD.

Thanks for reading, and happy watching!

“It’s Okay to not be Okay” – Korean Drama Review 22

9.5/10 – WOW, this drama was as stunning and magnificent as Ko Mun-yeong’s fashion sense. The story had a riveting gothic fantasy feel, and I felt that the story was such a creative exploration of mental illness and family. It’s hard to describe in words: it was whimsical and chaotically humorous, but also intensely emotional and heartbreakingly real.

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What I really really loved about this drama was how character-driven the story was. The plot was essentially just the characters living their lives  – their struggles, their pain, and their revelations were all woven together into a truly fascinating tale. The three main leads were incredible. They were all so different in disposition and emotional maturity, but as the story progresses we see how similar they are. Ko Mun-yeong (played by Seo Ye-ji) is a stunningly beautiful children’s storybook author who has anti-social personality disorder. She is explosive, sharp and hot-headed, and is quite selfish and cold. Her lack of empathy is juxtaposed to Moon Gang-tae (played by Kim Soo-hyun, fresh out of the military and looking like a snack LOL), a hard-working psychiatric hospital nurse who also has to care for his autistic older brother. He is extremely responsible and empathetic, and sacrifices his own desires for the sake of his brother. Moon Sang-tae (played amazingly by Oh Jung-se) is that older brother born with autism who has a passion for art and dinosaurs. He is super pure and innocent, but quite high-functioning and has a lot of charm. Very quickly the audience sees that while Sang-tae is the most child-like at first glance, Gang-tae and Moon-yeong are also trapped in a child-like state as well. They both suffered emotional and physical abuse in childhood, and it left them starved of love and unable to accept it either. As they learn to accept and support each other, they are able to overcome their personal traumas and find strength in love.

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The over-bearing shadow of the whole drama is Mun-yeong’s dark past, and her chillingly mysterious mother, who honestly, was the perfect villain. THE PLOT-TWISTS SURROUNDING THE MOTHER IS A MASTERPIECE UNTO ITSELF. There was such an attention to detail with regards to developing and exploring her character. When that massive plot twist came at the end of episode 13, my sister and I were LITERALLY SHRIEKING BECAUSE OF HOW SHOCKING IT WAS. But then afterwards, the more we thought about it, more it made sense and the more all the pieces fell into place. Honestly, it was so subtle that I didn’t notice the majority of the connections the first time through, and it was only when I went back and re-watched the episodes where I saw the many connections between the mother’s actions, and how it affected Mun-yeong (and Gang-tae and Sang-tae…!!!). I loved how there were so many direct ties with mental health and family. Time and time again the drama presented situations where we see damaging or toxic families being the source, catalyst, or exacerbating factor behind a person’s deteriorating mental state.

And that brings me to one of the biggest highlights of this drama for me. THE FOCUS ON MENTAL HEALTH. As over-the-top and fantastical the drama was, the insights about mental health, human relationships, and the importance of love and acceptance, all hit home and rang true. So much of what made this drama special was how it magically portrayed difficult subject matter. Mental illness was depicted so accurately, with all its awkwardness and pain and misunderstandings, but here was no disrespect in its honesty and no trivialization in its humour and light-heartedness.

On that note, all three of the main actors did a stellar job at portraying their characters, but can we just take a moment to all hail Oh Jung-se for his truly awesome depiction of a person on the autism spectrum? You could tell that he did a lot of studying and research to prepare for this role. He really nailed the posture, mannerisms, and speech patterns of someone who is on that spectrum. He also did an excellent job of making Sang-tae an authentic, well-rounded character. Never once in the drama did I pity him because of his disability. Rather, the focus was on his strengths and weaknesses, and how he develops a deeper bond with his brother and learns to accept new people into his life. Sang-tae learns to be more flexible, selfless, and begins to truly be an older brother for Gang-tae, and that was beautiful to see.

I found really cool was how the three main characters complemented each other. Even though Mun-yeong and Gang-tae are the main romantic couple, the deep and complicated relationship between Gang-tae and Sang-tae is honestly just as interesting, and it creates this story framework where all three of them are essential to one another. There is no third wheel. This is actually an amazing feat, because usually in more romance/relationship-heavy dramas, it is very hard to penetrate that “core” relationship without the character either being a nuisance, or a rival love interest. The developing romance between Mun-yeong and Gang-tae was super touching and well-paced. As they each work through their individual problems, the presence of each other really serves as a character foil and a catalyst for growth. As much as I love the chemistry and charm of this chaotic couple, hands-down the most heart-warming relationship for me was the one between Gang-tae and Sang-tae. The drama did a really good job of exploring the complicated nature of having a sibling with special needs.  Sang-tae was cherished and cared for because of his disabilities, while Gang-tae was not only neglected, but expected to assume the caretaker role as a child. There is so much hurt and resentment he is suppressing, as much as he truly loves his older brother. On the flip-side, Sang-tae starts off as a very self-centred and rigid person due to his disabilities. He claims the title of “hyung” but he doesn’t understand the responsibility and burden that comes with it. When Mun-yeong comes into their lives and shakes things up, we see how the brothers begin to be challenged to reconcile and mature. I thought it was really awesome that Sang-tae was portrayed as someone who has his limitations but is still capable of change. I CRIED SO MUCH OVER THE COURSE OF THIS DRAMA WATCHING THESE THREE GROW UP!!

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Another thing I loved was how Mun-yeong’s gothic fairytales were incorporated into each episode. Her stories spoke volumes about her own experiences, and really emphasized her suppressed traumas in heart-breaking ways. The animation of these fairytales had a very cool Tim Burton-inspired vibe, and honestly some of them were creepy!! But it made me think that actually a lot of children’s fairytale are pretty dark, so it makes sense that hers would be, too. And the “moral of the story” she expresses are not your typical “love finds a way” sort of thing. They speak of human selfishness, loneliness, anxiety, depression, etc. Her analysis of herself, Gang-tae, and Sang-tae (she started writing a story about the three of them) was absolutely spot on. She described Gang-tae as a “guy with no sense of self”, herself as “an emotionless princess (an empty can princess)”, and Sang-tae as “a guy trapped in a box”. Her ability to break down complex concepts into material suitable for children while also meaningful to adults is probably why she’s a best-selling author!! Mun-yeong actually has so much insight into the human psyche, and her ability to read people really lends itself to writing stories that really strike you to your core.

Overall, this was such a HEALING drama. It was fresh, funny, poignant, and full of heart. I was often moved to tears by all the actors’ performances, and was very impressed by how the characters developed over the course of the drama. I would highly recommend it to anyone looking for a show that will make you laugh and cry.

Thanks for reading, and happy watching!!

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“Signal” – Korean Drama Review 21

9.5/10 – WOw. There is a reason why “Signal” has the acclaimed reputation of being one of the best police/crime Korean dramas ever, past, present, and future. FAM I WAS TRIPPIN’ THE WHOLE TIME, in the best way possible hahahaha.


“Signal” follows the story of Park Hae-young, a very brilliant cold case profiler who accidentally finds an old walkie-talkie that allows him to communicate with someone from the past: Lee Jae-han, a police detective from 1989. Working together, they solve crimes that are currently cold cases, that that happened during Lee Jae-han’s time, and try to effectively prevent these crimes from happening/escalating.

Review: Signal | K-Drama Amino

For this review/reflection, I’m not going to give any specific spoilers at all, because I really think that the unpredictable nature of this drama is one of the most enjoyable aspects! I will go into some general takeaways that don’t give too much away though, BECAUSE I NEED TO GET IT OFF MY CHEST.

I was honestly blown away by the use of “time travel”. No one actually travelled back or forward in time, but that special walkie-talkie that connected the past and present for a minute or two every so often provided so much richness and intrigue to the story-telling. The drama’s execution of flashbacks and time travel was so good. What the directors and script-writers produced in this drama is what all time-travel-esque shows aspire to do: use this magic realism element to enhance and propel the story, but not as a crutch or convenient plot device. And even without the walkie-talkie connection, the story was still so good!! The way all the crimes and character fit together was seamless and thoughtful, and of course it all ties back to corruption, greed and selfishness from people in power.

What I’m about to say is probably going to make me seem kind of shallow, but it’s the honest to goodness truth. “Signal” is the first drama I’ve watched where my favourite male character is not who I think is the most good-looking, LOL. Look man, I think we’d all be lying if we denied that part of the appeal of Korean dramas is the eye-candy, hehehehe. But no seriously, Lee Jae-han, played by Choi Jin-woong (apparently he’s super famous and acclaimed, I will have to check out his other works!), is hands-down my favourite character in the whole show. Choi did such an excellent job of portraying him as a very ordinary cop with ordinary looks, abilities, and intelligence. But what set him apart was his extraordinary sense of morality and selfless duty. His characterization was so subtle and flawless. You could tell that at heart he was a meek and gentle person, with a bold streak that shows itself when it comes to fighting for justice.

I really loved how Park Hae-young and Lee Jae-han actually develop a sort of friendship through their brief walkie-talkie conversations, even though they LITERALLY are from different times. They grow to respect each other immensely as fellow police officers, tied together by a mutual desire to seek the truth and get justice.

The third main lead is the team leader of the police cold case squad, Cha Soo-hyun, played by Kim Hae-soo. I think this was the first Korean drama I’ve seen where the female lead was truly on-par with the men as far as strength, capabilities, and mental fortitude are concerned. I also thought it was really fascinating how she was connected to both Lee Jae-han (she was his junior officer back in 1989) and Park Hae-young (she is his team leader in the present as they solve cases together). To be honest, I was indifferent to her crush on Lee Jae-han, but it was why she was still committed to his cases so many years later, and because she and Park Hae-young had such vested interest in the same man from the past, it helped knit the plot together even better. I thought it was so cool how we see her growth from past to present. She started out as a timid, inexperienced officer in an otherwise all-male precinct, whose incompetence was a constant source of frustration for Lee Jae-han, into a clever and tenacious team leader who was more than capable of going toe-to-toe with any criminal. And behind the armour she built up over the years, she still showed deep-seeded vulnerabilities and softness. It was a realistic portrayal of an strong, independent woman, and I really appreciated that. With most Korean dramas, everyone’s connected in more ways than they think! I thought it was such a good story-writing decision to give the audience bits and pieces of the whole timeline throughout the entire course of the show, even up to the last episode, so that I was guessing and speculating the whole time. Every encounter and interaction between characters was woven deliberately and with intention, and because of that, the story flowed very well.

I highly highly recommend this drama for anyone who enjoys crime/thriller dramas, who isn’t that concerned with romance or “cute” characters. This drama is dark, intense, and the definition of a slow-burn masterpiece! When everything came together in the end, I was left speechless, quite literally. My mind was able to process it and understand it all, but I wasn’t able to articulate it or explain “how” things fit together because it was just so trippy!!! Does that make sense? hahaha….anyways, you’ll get it. Please check this one out!! Thanks for reading, and happy watching 🙂

 

“Twogether” – Korean Variety Show Review

Two charming but clumsy men who don’t speak the same language, bumbling around Asia completing missions so they can meet up with fans and give them the best day ever? I didn’t know I needed this, but after watching all eight episodes, I can confidently say that it was brilliant!! The show’s basic premise is that Seung-gi and Jasper have to travel to different cities and visit places that were recommended to them by specific fans. And then, through completing various “Running Man” style missions, they gather clues about where their fans live, and then they try to find the fan so they can surprise her with a visit!! Sounds like a dream come true, tbh. I really loved the concept of the show. It was promoted as being a travel show, and it definitely was successful at highlighting the many sights and attractions of Thailand, Indonesia, and Nepal. They are truly beautiful and vibrant countries!! But the show was so much more than that, and that’s what set it apart from other travel programs. I thought it was really smart to incorporate “objectives” at each leg of the trip, because then the audience was able to admire and appreciate the culture and attraction, but also be more engaged because of the over-arching goal of the boys wanting to meet their fans. And I thought the fan-meetings at the end of each trip gave the show an extra layer of honesty and warmth. Seung-gi and Jasper worked so hard to be able to make their fans happy!! Because the fans didn’t expect their favourite celebrity to just show up at their door, it was often quite emotional for them, which was super cute. And seeing Seung-gi and Jasper care so much, and be touched by the level of devotion, literally made me cry at one point.

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Lee Seung-gi is truly a jack-of-all-trades variety show king!! He is soooo mischievous and fun-loving, which is a hilarious source of comedy throughout the show haha. But you also see how dedicated and caring he is to not only towards his fans, but to everyone around him and to different cultures in general. He was always showing genuine interest in everyone they met throughout their travels – inviting them to introduce themselves and asking questions about their lives and experiences. He was charismatic for sure, but he is so sincere in his extroversion, and he made me smile a lot (I know I’m biased because I also just love him in general, but trust me, it’s also an objective truth).

Jasper Liu, or Liu Yi-how, was not someone I was familiar with prior to watching this show. I knew he was a Taiwanese actor, but that’s about it. I think this show helped me get to understand him a lot more, and he was truly a sweetheart!! He is a rookie in terms of variety shows, so I think that automatically made him more shy compared to Seung-gi. But he was always so willing and enthusiastic in face of all the crazy things the show producers and directors made them do, and as the show went on, he clearly became much more comfortable. I think Seung-gi was such a great complement for him!! Their personalities are actually quite similar, but Jasper might be the more introverted version of Seung-gi hahah. And It was great to see Seung-gi helping Jasper out of his shell, and teaching him how to make variety shows fun to film and fun for audiences (this often involved Seung-gi being a total prankser and taking advantage of Jasper’s innocence looooool rip him). I really loved how laid-back Jasper was. I don’t think everyone can handle the amount of ruthless and chaotic energy Seung-gi emits, but he took it all in stride and was able to laugh at himself and embrace whatever was thrown his way.

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On that same vein, the epic friendship and bromance between Seung-gi and Jasper was one of the highlights for me. They had such good attitudes and positive spirits throughout, and had great chemistry together. They were affectionately referred to by the editing team (the people who put in funny variety show captions, lol) as the “clumsy brothers”, and that is 100% accurate. They were derpy together and pretty incompetent, but I guess that’s what made it so funny hahahaha. One thing that I thought was a very interesting choice on the part of the creators, was casting two celebrities who do not speak the same native language. The challenge of each mission was made more hilarious and difficult simply because of communication barriers, and I loved it. Even though it was slightly awkward in the beginning because they were basically strangers who were forced into a bewildering series of events in foreign countries, I thought it was really endearing and cute how they tried their best to communicate and get closer. They each knew some English, and little bit of each other’s language (Mandarin and Korean), so they got by with a combination of these three languages, plus a lot of shouting and pointing and charades ahaha. I love how good friends they became by the end of the series. In an interview, Jasper said that he and Seung-gi were not given any scripts or forewarning of anything, and cameras were on them at all times to capture every moment in real-time. I’m really glad the show chose not to stage anything or allow the guys to be prepared. As a fan, it was such a pleasure to see their authentic selves and enjoy every experience and surprise along with them.

(Interview source: https://www.forbes.com/sites/joanmacdonald/2020/07/01/jasper-liu-shares-fond-memories-of-his-first-reality-show-twogether/#448d27136f74)

Another thing I really loved was how much of a troll the director/producer Cho Hyo-ji was. He was the guy giving them the missions, and you could tell how much joy he got out of watching these two guys suffer and make fools of themselves in order to complete the tasks. It was also really funny seeing Seung-gi and Jasper pleading for leniency, or trying to bargain with him for freebies and money hahahaha. Cho has worked on Running Man, so I guess it makes sense that he’d love making Seung-gi and Jasper jump through hoops haha.

If you love travel (and miss it dearly because covid-19 has ruined everyone’s plans for this year), variety shows, and bromance friendships, then I think you will like this program!! It was a very charming and wholesome experience being able to watch the two clumsy brothers have adventures together! Definitely check it out on Netflix! Thanks for reading, and happy watching 🙂

 

“My Country: The New Age” – Korean Drama Review 17

8/10: the main bromance and political intrigue carried the drama for me, as well as the epic soundtrack and beautifully shot cinematography and choreography. I didn’t care for many of the side plots and romance though, haha…

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Wow…I’m crying. The amount of pain and heart-break I experienced watching this period drama is directly and exponentially proportional to how much I love Wo Do-hwan now, lol.

This drama tells the epic story of two friends who get caught up on opposite sides of a power struggle rooted in monarchial politics and feudal wartimes during the transition between the Goryeo dynasty and Joseon dynasty. Seo Hwi (played by Yang Se-jong) is a “low-born” son of a famous swordsman, and Nam Sun-ho (played TO PERFECTION by Woo Do-hwan) is the illegitimate son of a high-ranking government official. Ultimately, it was a story about different people fighting for the type of country they envisioned for themselves. But in trying to achieve their ambitions, Hwi and Sun-ho both lost sight of why they were fighting, and who they were fighting for.

For me, what made this drama memorable and impactful was the deep penetrating friendship between Seo Hwi and Nam Sun-ho. Even though they are constantly being torn apart and forced to betray and hurt each other, their loyalty endures to the end.

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[SPOILERS AHEAD]

Basically the rest of this review is going to be me ranting about Nam Sun-ho and how tragic and heart-breaking his story was. From beginning to end, it’s gut-wrenching to watch him struggle with the dissonances in his life. His father, Nam Jeon, is a ruthless manipulative power-hungry man who is obsessed with “blood purity”, and looks down on Sun-ho because his mother was a concubine. He uses his son as a sword to accomplish his political objectives and is just emotionally abusive in many ways. Also, he blatantly does not seem to care about Sun-ho and sacrifices him/leaves him for dead on at least two occasions….

Nam Sun-ho’s friendship with Seo Hwi is tested so much throughout this drama because they find themselves on opposing sides of the political war. Sun-ho’s father is also quite evil, and because of that, Sun-ho is often implicated or forcibly involved in his father’s decisions and actions. It was so sad and pitiful to watch Sun-ho betray his friends (aka Hwi, BECAUSE HE LEGIT ONLY HAS ONE FRIEND), feel terrible about it, do his best to rectify the situation and save the people he cares about, only to get abandoned by these people because they are fighting on opposite sides, and then have to crawl back to his dad because he has no one else with whom he has a relationship. THAT HAPPENED LIKE FOUR TIMES AT LEAST. And every time, there was so much pain and regret and hopelessness in his character. He didn’t know what else to do except continue down a darker and darker path, and I cried so much watching him struggle and make wrong choices and have to wage war against himself. I think the saddest part of it all is that we see that deep down, Sun-ho is the softest of them all. He expresses a hard steely exterior, but his losses hit him so hard when he’s alone and able to weep freely. He tries to be ruthless and cold-blooded, but he can never bring himself to deliver the death blow that would sever ties with Hwi.

A standing ovation for Woo Do-hwan, who gave such a heart-rendingly raw and emotional performance throughout. WHEN HE CRIES, I CRY.

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The most tragic example of Sun-ho’s softness is when Seo Hwi’s younger sister Seo Yeon is killed by his dad. Nam Sun-ho saw her as his own sister, and always fought with his life to protect her and keep her safe when Hwi couldn’t (it’s a long story). Other than Hwi, she was the only other person who cared about him and loved him. When she died HE WAS LITERALLY SO DEVASTATED AND HORRIFIED THAT IT WAS THE LAST STRAW FOR HIM. It was after that point that Sun-ho truly lost any hope for happiness; he wanted to kill everyone, his dad, the princes who were at war against each other for the throne, the king, the former king, everyone. BUT EVEN PUSHED TO THAT LIMIT, he could not abandon Hwi or forget their friendship.

This is what made the ending truly tragic and fitting. Sun-ho and Hwi end up dying in each other’s arms, sacrificed so that the people of their country would be spared by the crown prince. As he lay dying, Sun-ho finally realized that “his country” as he put it, was Hwi and Yeon, and that he had missed them while fighting for his own redemption. Yeon had embroidered a sash for Sun-ho before she died, and he kept it tied to his sword after her death. Near the end of the drama, he untied it and instead tucked it into his tunic, near his heart. I thought this was a beautiful symbol of the change in his character, and him deciding to be motivated by a desire to protect and love, rather than a desire to kill and seek vengeance.

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Besides Sun-ho’s mesmerizing story arc, I honestly wasn’t super invested in the side plots or side characters. I didn’t even find Hwi’s character that exciting until near the end, lol. It just wasn’t compelling compared to what Sun-ho was going through, ahhaha. The romance between Hwi and the main female lead especially, felt very wooden and uninspiring. In general, the pacing of the drama could have been a tighter, some sideplots could have been cut down or omitted, and more screen time should have been devoted to clarifying the main conflicts and relationships. Furthermore, many of the conflicts were not fleshed out properly, and just made things too complicated and hard to follow. And maybe it’s because I love friendship/bromance dramas (see “The Untamed”), but I also would have liked to see a deeper exploration of Hwi and Sun-ho’s history as children.

All in all, while there were some pretty major problems with the plot and character development, the emotional impact of this drama will stay with me for a long, long time. If you have some patience, this drama will bring you to a very satisfying, but tragic conclusion.

Thanks for reading, and happy watching!

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